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How Writers Can Use QR Codes

What can writers do with QR codes? Do we even need them? When most writers still have that “I’m a writer, not a marketer” attitude, embracing something as 21st century as a smartphone, let alone a QR code, is going to be difficult.

But, if you’re trying to reach a particular kind of audience — let’s say a tech-savvy audience — or people who might not otherwise discover your work, a QR code could be a great way to market your work in some surprising and creative ways.

QR Code to my About.me page
QR Code to my About.me page

The whole point of a QR code is to reach a mobile audience. People who use their mobile phones to read articles and watch videos. People who use their tablets to read ebooks. Basically anyone not using a laptop or desktop computer, or reading paper-based articles and stories.

By tapping into the growing mobile market — and it’s growing fast — writers can get their words in front of a brand new audience, or at least an audience who can access your old work in new ways.

You can reach that mobile market in a few different ways, including emails, or making people tap long URLs into their web browser. But a QR code — that funny looking pixelated square — is something people can scan with their mobile phones to perform a certain action, like open a website or a video.

For writers, you can point a QR code at some of your work, and allow people to read it on their mobile phones. Here are a few places you can point them:

  • At one of your best articles or short stories: This should be the first place your QR codes should go. Point them at some of your best work, and then put the QR code on a business card or writer’s resume. Or if you’re at a conference, put it on a t-shirt. Make sure that your website is mobile-friendly. Best way to do this? Install WP-Touch on your WordPress.org blog, or use Blogger, Posterous, or WordPress.com for a mobile-ready blog. Warning: Do not just point a QR code at your main website. For one thing, it’s boring and unimaginative. Hopefully you’ve already got a short, and clever, domain name, so a QR code is wasted. But if you don’t have anywhere else to point it, at least make sure your site is mobile friendly. A site designed for a desktop is awful to negotiate with a mobile phone.
  • Your book page on Amazon.com: Have a book flyer or sales card? Put a QR code on it and let people scan it. They can make their purchase right on their mobile phone and have it shipped to their house or office.
  • A mobile-only video: If you have a book trailer, consider making one especially for mobile use, and maybe even specifically for QR users. Speak directly to the user — “Hi, thanks for scanning the QR code and checking out the video.” — and tell them what is so special about this particular video. (“I’m sharing three additional personal branding secrets you won’t find in the Branding Yourself book.”) Make sure the video works on your mobile phone too. Some videos can’t play on mobile phones, so make sure you choose the right format and size.
  • At your ebook: If you’ve got an ebook for sale, whether it’s on Amazon.com or another ecommerce page, write up a small card about the book, and put a QR code on it. People can read the ebook on their phone or tablet, especially if they’re using the Amazon Kindle app.
  • At a secret page on your website: One of the best uses I saw of a QR code was a friend who put it on a t-shirt that he wore to conferences. People who scanned the code were immediately taken to a hidden page on his website where they could find how to connect with him via Twitter, LinkedIn, etc., as well as some special information that wasn’t available on his regular website.

The nice thing about QR codes is that you can point them anywhere you want. When you want to change pages, just edit the QR code. No need to create a new one or get rid of anything with the old code on it. Just go to the place where you created it, change the destination URL and you’re set.

You can put your code just about anywhere it can effectively be scanned, and point it anywhere that makes sense. On your business cards pointing to your book pages. T-shirts to your About.me page. Book covers to mobile videos. Anywhere you can think of, you can point it. Just don’t point it at your regular website, or put it on a highway billboard.

Watch Scott Stratten (@unmarketing) talk about QR codes and how they should and should not be used.

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Calling Out Bad Behavior via Social Media

We tend to be pretty passive-aggressive as a society. And social media seems to have made it worse, in some ways. Social media has made it possible for us to point out bad behavior, and we’ll often do it to a complete stranger, but we won’t do it to our friends.

I did a short (unscientific) survey last month to find out whether people would call out bad behavior on the part of strangers versus friends. I wasn’t surprised by some of the results, partly because most of the people I know are pretty nice people and not prone to being online jerks. But mostly because many respondents are from the Midwest, and we’re annoyingly nice about a lot of things.

Summary

Basically what I found is, we are more likely to forgive friends, but we will stick it to a complete stranger.

  • If we are wronged by a friend, we’ll point it out privately rather than call it out.
  • 40% of us will hang a stranger out to dry publicly; nearly all of us will tell someone else about it.
  • Only a very few people will say or do nothing, either about a friend or a stranger’s bad behavior.

The Survey

This was a four question survey, with a series of answers that asks about responses that range from very direct (and rather jerky) to very passive (being a doormat).

For example, question #1 asked: When a friend — who uses social media — wrongs me in some way, I am more likely to:

  1. Call them out BY NAME on a social network. “I can’t believe @edeckers stood me up for our meeting this morning.”
  2. Point out my annoyance, but don’t mention their name. “Got stood up for a 7:30 am meeting.”
  3. Send them a private message pointing out the problem. “Did you forget we had a meeting this morning?”
  4. Absolutely nothing.

The Results

So would you @reply someone or set your Facebook status to call them out by name? Or would you passive-aggressively point out to the whole world that some unnamed jerkface missed your morning meeting?

I wasn’t that surprised by the results. Most people are nice enough to keep our gripes private, and to not air our grievances in public, and the numbers bore this out. Out of 107 responses to Question 1:

  • 80 people (74.7%) said they would email their friend privately to point out their problems.
  • 12 people (11.2%) would call out the incident, but not name the person.
  • 11 people (10.2%) would do absolutely nothing at all.
  • 4 people (3%) would call that person out by name.

I was intrigued that the number of people who would do absolutely nothing to tell the other person what they had done was nearly the same as the number of people who would point out the bad behavior but not name any names.

When I’m in public, and someone does something annoying, I am more likely to:

Friends vs. Strangers

Question #2 was about whether people would point out something annoying that someone else did, but not to them: When I’m in public, and someone does something annoying, I am more likely to:

  1. Point out their bad behavior on a social network, including pictures or video. “Check out this jerkwad being an ass to his wife.”
  2. Point out their bad behavior, but give them their anonymity. “Some guy next to me is being an ass to his wife.”
  3. Email a friend privately and relay the story to them.
  4. Absolutely nothing.

The results were a little more dramatic this time compared to what people would say to their friends. Out of 106 responses (someone missed this one):

  • 57 people (53.8%) said they would email a friend privately to tell them about the stranger’s behavior.
  • 32 people (30.2%) said they would call out this stranger’s behavior, and include pictures or videos
  • 11 people (10.3%) would call out the behavior, but not include any identifying information.
  • 6 people (5.7%) would do absolutely nothing.
When a stranger does something annoying in public, I am more likely to:

Observations

This is the stuff that intrigues me, and really makes me wish I had paid better attention in stats class in grad school. Because there are some interesting correlations between what we consider acceptable behavior toward friends versus complete strangers.

  • Most people (nearly 75%) will tell friends privately about their own bad behavior, but 40.5% of these people will publicly call out bad behavior from a stranger.
  • Compare that to 3% of people who would call out a friend by name on Twitter or Facebook. This tells me that most people are nice, and a few can be rather cut-throat and nasty.
  • Surprisingly, more people — 30.2% vs. 10.3% — will point an accusing finger at a stranger by including evidence of their bad behavior than will give them anonymity.
  • 94.3% of people will tell someone about a stranger’s bad behavior, whether it’s publicly or via email.
  • The number of people who would point out bad behavior but protect the person’s identity in either situation is nearly the same: 10.3% will talk about a stranger versus 11.2% who will call out, but not identify, friends (11 people vs. 12 people).
  • The percentage of people who will do nothing when a friend wrongs them versus a stranger nearly doubled — 10.2% versus 5.7% respectively, or 11 versus 6 people.

Conclusion

So what does all of this mean? Are we people with a strong sense of moral outrage who will point out the failings of other people, but only when they’re not anyone we know? And do we hold back out of fear of retribution or respect for our friends’ feelings? Or do we have an overwhelming sense of schadenfreude, but refrain from doing it at inappropriate moments?

What about you? What do you think? What conclusions can you draw from this study? What do you think this tells us about ourselves, as it relates to social media?

The rest of the questions:

Question #3: When I am having an argument with a friend or family member, I will start/continue the discussion on a social network.

  • Yes (2 people)
  • No (105 people)

Question #4: Which social network do you use the most?

  • Twitter (51 people)
  • Facebook (50)
  • LinkedIn (5)
  • Google+ (1)

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Some Bloggers Are Journalists. Get Over It

Should journalists be licensed? Should they be given some sort of special card that says they have undergone the rigorous training necessary to objectively report the news, and thus be given special access to government officials, sporting events, and other newsworthy goings-on?

Christine St-Pierre, Quebec’s culture minister, believes so. She is creating a plan for “a new model of regulation of Quebec media.”

In other words, she wants the government to determine who is worthy of being a “journalist,” and thus excluding people who don’t work for traditional media outlets.

As in, not bloggers.

It’s a familiar refrain: newspaper writers and other big-J Journalists don’t like bloggers. We’re not real journalists, they say. We haven’t had the education or training. We’re not held to the same rigorous editing and writing standards that they are. And so, this makes them the arbiter of deciding what is real journalism and what isn’t.

Australian writer and web developer Aaron Holesgrove echoes St-Pierre’s sentiments, claiming some moral high ground that bloggers may not occupy, simply because we don’t work for newspapers or TV stations.

We’re not objective. We present opinion as fact. We use anonymous sources.

I guess in that sense, most cable news stations aren’t journalism either. Neither Keith Olberman and Sean Hannity are objective, and both present opinion as fact. And as far as anonymous sources go, I see them quoted in news articles all the time. They’re the ones called “someone familiar with the facts” or “someone not at liberty to speak to the media.”

But there are plenty of bloggers who report the news objectively. They report on nothing but facts. They don’t use anonymous sources any more than the real newspapers. And when it comes to writing and editing, they’re the masters of their craft.

The American Reporter is an online-only newspaper that, by the strictest definition, could be considered a blog. They’re the first Internet-only newspaper, as well as the largest online alternative newspaper. But they’re a newspaper first, and a blog second. So what does that make them? (Full disclosure: I’ve been their humor columnist since 1997.)

Apparently You Lose Your Journalism Card When You Go Online

So what’s the deciding factor between a journalist and an online hack who is looked down upon by the very people he seeks to emulate? Is it the writer’s employer? Are we journalists because we’re paid by newspapers and TV stations? Are we non-journalists because we’re freelancers and free writers? Is it our education, or lack thereof? And what about the people who used to be journalists but aren’t any longer?

There are plenty of examples here in Central Indiana of people who took their work from the print and broadcast world to the online world. They were laid off or removed from their positions, found a home online, and became bloggers.

Ruth Holladay, former firecracker columnist for the Indianapolis Star has held her former employer’s feet to the fire for more than four years now on her own blog. Paul Poteet is a former meteorologist for WRTV, the local ABC affiliate, and found a second home online, parlaying his TV celebrityship into an online presence most of us would kill for.

But neither of them work for the large media conglomerates that once employed them. Does that mean that they are no longer worthy of the term “journalist?” Did Ruth have to hand in her journalist card when she started publishing her words online? Did Paul get suddenly struck stupid, and no longer able to read a weather map, when he left his TV station?

On the national scale, a couple years ago the Seattle Post-Intelligencer and the Denver Times became online-only newspapers. The P-I folded their print edition and went online only, while the Denver Times was born out of the ashes of the now-defunct Rocky Mountain News.

No one would (seriously and credibly) argue that these two newspapers are no longer journalistic sources just because they are online-only. And yet, there are people who will say that Holladay and Poteet are no longer journalists because they’re not employed by large media conglomerates.

So where does that line get drawn? I’m a professional blogger, but I’ve published a newspaper column for nearly 18 years. Am I only a journalist when my words appear on dead trees? Or do I carry that mantle and responsibility in every kind of writing, including here?

Bloggers Are the Pamphleteers of Old

Back in the 1700s, pamphleteers were those people who wanted to express their opinions to a large group of people, and did so in their own proprietary platform. Today’s bloggers are yesterday’s pamphleteers — we don’t have access to the machines or process to broadcast our opinions via mass media, but we do have the communication channels through WordPress, Blogger, Posterous, and about 40 other blog platforms.

We use blogs to express our opinions and stories, the same way Thomas Paine expressed his support for the Americans during the Revolutionary War.

Is blogging messy? Yes.

Is it prone to misuse and abuse? Of course.

Do we make mistakes or go overboard in our opinions? You bet.

I see the same thing from professional journalists too. Slanted news stories, over-hyping and sensationalizing news (and weather!), and even plagiarism and fabrication (anyone remember Jayson Blair?).

Still, I think journalists hold themselves to their self-imposed standards, while most bloggers do not. That’s what makes journalism an institution to be trusted as reporter and watchdog. But if bloggers want to be taken seriously as a form of communication, we need to step up and start following those practices as well.

In the meantime, you big-J journalists, blogging isn’t going to go away. No matter how much you deride the form, it’s only getting bigger and more powerful. You know what’s going away? Print media. You have a choice. Teach us how to do it right, teach us how to do it well, so you have a place to land when your employer figures out that two 20-somethings can do your job for a fraction of your salary.

To paraphrase an old quote by writer Rex Huppke, “It’s funny when journalists mock (blogging). It’s also funny when people about to be eaten by a bear mock the bear.”

Bloggers who want to be journalists need to step up their game. Journalists who are destined to be bloggers need to get over themselves. Because one day, just like newspapers replaced pamphleteers, blogging is going to do the same thing to the newspapers.

Photo credit: Manin The Moon (Flickr)

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Five Books Every Blogger Should Read or Own

Writers need to read if they want to improve. We learn, we borrow, we’re influenced, and in some cases, we steal.

Whether you’re a blogging veteran or wet-behind-the-ears rookie, there are certain books that will give you the knowledge, insight, and ability to be an effective blogger.

I am always reading books, sometimes in my industry, sometimes outside (my favorites are Christopher Moore humor novels and British murder mysteries), and trying to learn some of the techniques these writers use.

I have five books that I think every blogger should own, or at least read, if they want to improve their writing and become a better blogger.

These five books vary in industry and focus. They may tell you how to blog, how to write, or how to spell. But these are the five books that I have found to be the most valuable in my own professional blogging career.

  • Corporate Blogging for Dummies: My good friend, Douglas Karr (@douglaskarr), and Chantelle Flannery wrote this tome for corporate bloggers everywhere. And while the title suggests it’s for corporate bloggers, anyone who wants to be a blogger can learn from this one. It talks about why blogging is important, what tools are available, and even how to write blog posts.
  • The AP Stylebook: I’ve long maintained that blogging should follow AP Style when it comes to settling confusing questions of spelling, grammar, and punctuation. After all, we’re becoming citizen journalists, so we should follow journalistic style. The AP Stylebook can answer odd and esoteric questions, like the “proper” abbreviation of state names (AP style does not use the two letter postal abbreviations), whether to capitalize job titles (you don’t, unless you’re referring to the President of the United States), and even whether to use an Oxford comma (they don’t, but I think they’re horribly wrong about this one.)
  • Grammar Girl’s Quick and Dirty Tips for Better Writing: (affiliate link) I am a regular listener of Mignon Fogarty’s (@GrammarGirl) “Grammar Girl’s Quick and Dirty Tips” podcast, and recommend it to anyone who wants to improve their grammar and punctuation usage. Her book on Better Writing is also a must for anyone who wants to improve their writing mechanics, and avoid the little nagging errors that are so tiny but seem to throw everyone into a terrible tizzy. (I’m also a fan of the A Way With Words show on NPR/podcast, but they don’t have a book out. Plus, I made Grammar Girl’s “Wordsmiths” Twitter list, which I’m very proud of.)
  • Ernest Hemingway’s short stories: If you want to learn how to write with punch and power, read Hemingway. Especially his short stories. Especially anything with Nick Adams (Big Two-Hearted River). It has that punchy, short dramatic style that tells you how to craft short sentences that carry a lot of impact. Hemingway cut his teeth at the Kansas City Star in 1917, learning the style that made him the most recognized writer of his day. While some of his language and ideas are definitely from the early 1900s, his writing style is still something to study and learn from.

  • Roger Angell’s Once More Around the Park: Roger Angell is the baseball writer for The New Yorker, and the master of the long meandering sentence. If Hemingway is a boxer, writing short, punchy sentences, Roger Angell is the old dude doing tai chi in the park on a warm Sunday morning, moving slowly but fluidly, and never stopping until he has achieved inner peace and gotten a low-impact workout in at the same time. Angell’s descriptions of baseball games, baseball fans, and even the parks is something even the non-fan will enjoy. It’s a book I definitely recommend reading, whether you’re a baseball fan or not. While the fan will appreciate his explanation of the games and the names of the fan’s childhood, the writer will appreciate the images Angell is able to conjure up, and the ease at which he writes long, smart sentences that carry the sounds and smells of a faraway day.

    • What are some of your favorite books for writers and bloggers? Are there any that you recommend? Any that you would stay away from? Leave a comment and let’s hear from you.

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Quantify the Value of Social Media for a Music or Arts Festival

Let’s say you work for a large country music festival in Prince Edward Island, Canada, and you want to quantify the value of your social network so you can get sponsors for it.

Okay, this may only apply to one of you in the entire world, but the ideas are transferable to anyone who wants to determine the value of their social network, so you can sell it to sponsors and advertisers.

Kim Doyle (@Kim_Doyle) works for the Cavendish Beach Music Festival, which is held every July. I emailed a response to her and then figured it would make a good blog post, especially since I love going to music and art festivals, and am hoping one of them will arrange an onsite consulting gig at the festival. (I’m just sayin’.)

What is the Value of a Social Network?

Basically, the statement you want to be able to make to your sponsors is “our network will have X value to you.”

Pemberton Music Festival

This is a little tough for a new network, because it has no “value,” since it’s still unproven. But an established network has more value, because you know how big it can get, you’ve already seen what it can do, and you’ve been delivering clicks and eyeballs to your other social properties.

We can’t say for certain what value the network will be until AFTER the festival happens. Next year, you can demonstrate last year’s numbers. And if you’ve been doing it for a few years, you can show growth. But it’s hard to say, our network will deliver X visitors.

That’s because you need to be able to trace the interactions and transactions from your network to the sponsor’s properties, and they need to trace what happens from there. But if they’re not doing any monitoring or measuring themselves, then they have no idea what those visitors are worth. You can only show them raw numbers, but it’s up to them to demonstrate the value.

Measuring the Social Media Traffic

1) Show them how you can track all the visitors to your website, all the members of your social network, and measure the amount of time they spend interacting with the site and with each other.

You’ll do this through Google Analytics (# of visitors, time on site, # of pages visited), Klout score (especially your influence and reach), Facebook analytics, and Bitly (# of links clicked).

Include links on your blog (“Please visit our sponsors who make this possible. The more you visit, the more they support us.“), and count the number of times people click those links. Post links to their sites via Twitter (“we want to thank Floaty Bits Bottled Water for supporting Cavendish Beach Music. Visit them here.”)

If you can show those numbers, you can show sponsors what you can deliver. If this is a new venture, start measuring the size of your network, plot its growth, and see if you can start driving traffic to your site in order to show potential.

2) Show them the demographics of who they will be reaching. If you can know a few demographics of the people who come to your festival, you can show sponsors why you’re going to reach them better than traditional mass media.

For example, if a big part of your audience falls within Generation Y, you can find articles and studies that show a lot of Generation Y doesn’t watch TV, they Tivo it and skip commercials, or they watch a lot of YouTube videos on their mobile phones. So create promotional videos, put them on YouTube with a sponsor’s logo in the bottom right corner just like on TV.

See how many different ways you can drive traffic to the video, and measure each channel to see what drove the most traffic (use different Bitly links per source, 1 for Twitter, 1 for Facebook, 1 for the blog, etc.) Measuring that traffic will give a sponsor an idea of the kind of traffic you’ll be able to drive for them.

3) Remind them that they are going to be reaching a niche audience in a way that no one else can: they will reach a large group of people who are passionate about your festival and that music/art. But unlike the festival-only sponsors, they’ll be reaching them long before and long after the festival ends.

And not in the “your logo will be on the t-shirt” way of reaching them.

But if you’re sending out tweets that point to videos with a sponsor’s logo on it, and those fans watch the videos to see who will be playing, or to see a recap of the last festival, those sponsors get more exposure than the ones who were only visible during the festival itself. And any links from the YouTube page to the sponsor’s page can have a major positive impact on their search engine placement.

Consider doing a daily/nightly recap of the festival each day. Treat it like a little newscast where a “reporter” is on scene (film it with a high-def digital camera, not a mobile phone), interviewing artists and fans, showing a few seconds of the artist playing, and then putting it all into a YouTube video (complete with sponsor logo). Tweet that out a few times the next day, let people access it via QR code, and put it on Facebook for the fans who couldn’t make it, and count the traffic there too.

These are just a few ways music and arts festivals can find a sponsor specifically for their social media marketing and social networking efforts. These kinds of affinity groups can be a marketing goldmine for marketers because they’re reaching a dedicated niche audience who has an affinity for that festival, and are more inclined to support people who support something they love.

Photo credit: theburied.life

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Search and Social: A Partnership for the Ages

Robbie Williams is an SEO Consultant at Slingshot, and wrote this guest post in exchange for a guest post I wrote for their website.

Robbie Williams. I love his version of 'Somewhere Beyond the Sea' from Finding Nemo

What grabs a social media guru’s attention faster than mentioning the term “social media guru?”

The answer: Providing data-driven ROI statistics for their industry and, better yet, doing it in conjunction with SEO.

Worked, didn’t it?

Now that I have your attention, I want you to dabble in my thoughts for a moment.

I’ve often pondered how a social media practitioner would address the topic of “Search and Social” as they are the two dominating powers on the Internet. Now I know. They turn to the SEO professionals to address it.

As we all know, the Google algo is one of mankind’s best kept secrets. So I’m not going to come out and tell you that I know anything in my industry to be a 100% fact — aside from what Google tells us directly (which often keeps me up at night). However, I can back up my opinions and observations with the experience of day-in, day-out SEO practice, where dealing with rankings for an array of keywords is my entire world.

Within this digital domain, I’ve had first-hand experience with the algorithm and how it responds to certain human signals; e.g., social signals. However, (drumroll please….) social signals alone have yet to produce an identifiable, data-proven effect on rankings in the majority of SERPs. So yes, given the access to the data streams of Twitter and Facebook, there has been a trace amount of evidence where social media has had a noticeable effect on rankings in certain keyword search queries.

Now, back to proving ROI for social media with search. We all know how powerful social media has become and it’s not unreasonable to think that Google doesn’t realize it too. As a matter of fact, it has attempted to gain access to the Twitter and Facebook “fire hoses” (the full feed of information behind their massive firewalls) but to no avail … yet. As soon as this happens, you better believe that social media is going to have a significant effect on rankings, and it’s only a matter of time.

***Disclaimer: As an SEO professional, I am required to mention the discussion Correlation vs. Causation when discussing this topic. So here it goes: a page/brand/keyword will typically have social cues surrounding it because it’s a good page/brand/keyword and it will rank accordingly because of this. The reverse is not true, a page/brand/keyword will not rank only because it has social. In the world of SEO, it’s never that simple.***

Imagine a graph illustrating the respective positions of traffic-driving, conversion-producing keywords in individual SERPs (Search Engine Results Pages). Now overlay it with another graph of social media activity that’s been strategically produced around the same SEO keywords.

What do you see? Positive correlation (not necessarily causation). Additionally, imagine a Google Analytics graph showing increased conversion, increased on-page time and click-through rates, as well as a decrease in user bounce rates for those same keywords and their associated pages, overlaid on top. (I’m drooling at the thought of this, I don’t know about you…)

Boom. professional search engine optimization company. Aside from work, he loves being outside; running, mountain biking, adventure racing, etc. Robbie’s current motto: If you keep life full, you never have time to worry about tomorrow.