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11 Tips for New Digital Nomads

One thing I love about being a professional writer is that I get to do my job from anywhere. I don’t need a massive desk or a richly appointed office. (Although I do surround myself with books in my home office.) I’m a digital nomad.

My mobile office is a Filson briefcase I won about nine years ago where I carry all my essentials. As long as I have wifi and maybe access to an electrical outlet, I can work. As long as I have that, I can work anytime, anywhere.

I’ve been working as a digital nomad for 16 years, even when I had my an office. First in Indianapolis, Indiana and now in Orlando, Florida. I’ve visited hundreds of coffee shops, both corporate and independent, and I’ve made some of them my regular stops. Some of them I couldn’t leave quickly enough.

And while I haven’t achieved a #vanlife level of nomadicity (nomadic-ness?), I still consider myself a digital nomad who can do my job with a 13″ MacBook Pro and a Moleskine notebook.

Here is a list of things I have learned about being a digital nomad and making your city your office.

1. Keep your gear powered up

You would think I wouldn’t have to say this, but I went to a coffee shop with someone who shall remain nameless (but it was my son), and his laptop battery was at 6%. Luckily, we found a plug, and he was able to charge up. When you get home each night, plug everything in for the next day. Monitor your computer’s battery health. I use Coconut Battery to check every month.

Take advantage of free power whenever you can. If you find a coffee shop or restaurant that has plugs near your seat, use the power. Your next stop may see you running on battery for a few hours. Otherwise, plug in as soon as you get home and run any backups on your day’s work.

It also doesn’t hurt to carry an extra power bank. I like the Anker 20,000mAh chargers (affiliate link), but whatever you get, make sure it’s fast-charging. I also like the cordless banks. (There are some with built-in charging cords, but I worry what will happen if the cord breaks.)

2. Have a roster of regular stops

I have several favorite coffee shops, fast food restaurants, and even a pizza place (shout out to Lazy Moon UCF!) where I do my work. I know which tables have plugs nearby, and I plan my work sessions on their traffic patterns and busy-ness. (For example, weekends at Lazy Moon between lunch and dinner are ideal because the place is nearly empty, especially when the University of Central Florida is on break.)

Become a regular if you can, and get to know the staff. Be friendly and chat whenever you buy something. This way, you’ll stand out, and they’ll look out for you as they get to know you better. (Be sure to buy something every 90 minutes to two hours. Don’t just buy a small coffee and camp for eight hours.)

And don’t forget to tip!

3. Participate in the loyalty programs

If you go to the same places over and over, download their loyalty app. You may only get a small discount, like $5 off after 10 purchases, but a little something is better than a big nothing.

Supporting the loyalty program puts money back in your pocket through bonuses and special offers. It may not seem like much, but those freebies are a nice little treat when you’re trying to stretch your dollars. If you don’t like the freebies, then give them to someone else.

4. Shop local as much as possible

You’re a local entrepreneur, so support local businesses whenever you can. If you can go to an indie coffee shop or restaurant whenever you’re out, that’s great. The more you support local businesses, the more they’re going to be around.

5. Meet at indie coffee shops

Once you have your regular shops that you like to visit and you’re getting to know the staff, make sure you have your meetings at those places. Invite as many people as you can to those shops so they see you bringing in new people.

That not only shows your loyalty to the shop, you’re promoting them on your behalf. You’re helping their customer base grow so they can continue to grow and thrive themselves. I have one favorite coffee and donut place in Orlando that sponsors my local 1 Million Cups chapter. As I’ve gotten to know them, and they continue to provide their fresh-made donuts to us every week, I hold most of my networking meetings there. It’s a nice way to say thank you for their generosity.

6. But you can’t beat cheap

Still, if you’re watching your money, you can’t beat a $2 Coke at McDonald’s. You can sit for a couple of hours and work on just a single drink. I don’t recommend doing this every day since it’s not that good for you.

But if you only need a temporary office for a couple of hours, the Golden Arches has you covered, and they’re all over the place. It’s a great place to stop if you need to send a quick email while you’re on a road trip. Just be aware that many McDonalds don’t have electrical outlets, which is why you need to keep your equipment charged.

7. So join Panera’s Sip Club

First, I hate the word “sip” almost as much as I hate “moist.”

BUT I like saving money. And with the Panera Sip Club, I can go to a different Panera every two hours and get coffee, tea, or soft drinks. Or I can sit in one location and get free refills while I’m there.

I sometimes stop in, grab a table, and drink some coffee while I enjoy the free wifi. In fact, I know a guy whose neighborhood Panera is his office, and he’s literally there six or seven hours per day. (I’m not kidding.)

I just joined the Sip Club last week — it costs $15/month or $99/year if you pay annually — and I often go to the Panera near my house. I’ve already spotted several regulars who park at their same tables all day, every day, so it’s a viable remote location.

I know it’s not a local shop, but honestly, the redacted Club pays for itself in five visits. (And if you sign up via the app, you can get the first two months free.)

8. Get a VPN

Public wifi is wildly unsecure. You need to protect yourself, and a VPN is the best way to do it. Several years ago, I bought a lifetime subscription to VPN Unlimited for $69.99. It’s normally $199, but you can get it for $69.99 right now (non-affiliate link).

Note: One thing I have noticed about McDonald’s wifi is that whenever I visit a web page, the page refuses to load the first time, so I have to reload it a couple times. This has happened at several McDonald’s, so I think it’s a McDonald’s thing, not my computer. (Especially since a Speedtest.net test shows that their wifi is plenty fast.)

One day, I saw that when my VPN was on, the pages loaded normally. This makes me think McDonald’s is monitoring everyone’s web traffic to make sure we’re not up to anything sinister or bad, but it causes issues on our web browsers. I can use my VPN to not only protect my personal data but to improve their wifi performance.

9. Work on your local machine, store it in the cloud

The problem with being a digital nomad is that we’re dependent on wifi. When I first joined the Sip Club, I couldn’t get online in any of the stores. I was able to fix it eventually, but it was enough to almost make me quit the club.

Luckily, I was still able to work because I can access all my articles on my laptop before I upload them to clients. Even this article is being written in Apple Pages before I upload it to my blog.

While a lot of people like working on Google Docs or Microsoft 365, that’s difficult if you don’t have wifi. Yes, you can connect to your phone as a wifi hotspot, but it’s slower than dial-up.

On the other hand, by storing everything in the cloud, you can access it if you ever need to use a different computer. On my laptop, I back up all my in-progress documents on iCloud and back everything up to an external hard drive.

Then, I can access files using my iPhone’s Files app and work on them with a Bluetooth keyboard. Or if I know I won’t have my computer, I’ll save a version to Google Docs and use my iPad and Bluetooth keyboard on the road.

10. Learn how to use Google Drive offline

If you prefer Google Drive, there is a way to use it offline. I can’t tell you how because it’s been years since I tried it. (Find out how to do it here.) When you get back online, everything syncs up between your local files and your Google Drive.

It’s a convenient system if you’re focused on keeping costs down, but I’ve been using Apple’s word processor since it was called MacWrite in the 1980s, and I’ve used every version in between. I have no plans on switching now.

But if you’re an offline Google Drive user, let me hear from you in the comments below. What do you like about it? What makes you stick with it?

11. Set up “office hours” with fellow nomads

The one thing I don’t like about being a digital nomad is the loneliness. Sometimes, I miss working in an office because I miss being around people. (Not enough to go back, of course. A bad day working for myself is better than a great day working for someone else.)

Set up a working meeting with other nomads and work together at the same table for a few hours. You won’t get a lot of work done, but you’ll be able to socialize, get to know a few other people, trade ideas and resources, and it can help you find future collaborators to work with.

Take turns visiting each other’s favorite places and sample new restaurants and coffee shops. You never know when you might find a new regular spot for your journeys.

Being a digital nomad is actually a fun way to work. I get to visit different parts of the city and meet new people. I even created a map of all the indie coffee shops around Central Florida so I can decide where I’m going to spend a good part of my day.

Not to mention, if I ever go on a business trip or vacation, I can pack my briefcase and work from any hotel, restaurant, or coffee shop, no matter where I am. And if I ever just wanted to do a quick bit of work, as long as I have a Bluetooth keyboard and my phone, I’m all set.

Do you have any digital nomad tricks of the trade? Share them in the comments.

Photo credit: Erik Deckers

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Stop Leaning on These Five Copywriting Crutches

Even the best copywriters use clichés and rely on copywriting crutches. It’s inevitable, but it’s preventable. We’re trying to spit out a lot of copy on tight deadlines, and while our fingers may work faster than our brains, our brains will pop out any old stuff just to keep our fingers moving.

And that’s how clichés appear in our work. We don’t mean to do it, it just sort of happens.

But if you keep a few of the worst offenders in mind as you’re working, you may catch them just as they spill out onto your keyboard. And if you missed them the first time around, you’ll catch them on the edits.

Here are the five copywriting crutches and clichés we need to avoid.

1. Let’s face it

There’s nothing wrong with this, per se.

It fits where it’s used, no one is using it incorrectly, and it conveys a feeling of resigned acceptance of the problem at hand.

But it’s just so overused that it has been rendered completely useless. It’s like the Spin Doctors’ “Two Princes,” which got played over and over and over and over and over to the point that I hate it so much, I will drive my car off a bridge to escape it.

“Let’s face it” is the “Two Princes” of writing. It should be struck from your lexicon, burned to ashes, which you then jump up and down on, before putting them in a lead-lined box and dropping it into the Mariana Trench.

(I really hate this phrase almost as much as I hate “Two Princes.”)

Just pick something else. Anything else. In point of fact. In truth. You gotta admit. What are we even doing here?

In truth, it makes you sound like you’re not trying very hard. Pick something better.

Needs

Probably the most overused word in all copywriting.

You gotta admit — see what I did there? — it’s a versatile word. It’s both a verb and a noun. We have needs. We need things.

Except saying “needs” is like saying “stuff” or things.”

Every customer needs something or wants something. Or they desire it. Wish for it. Demand it. Prefer it. Delight in it. Obsesses over it. Yearns. Craves. Hungers.

There are so many different options available, but the best we can come up with is “needs?”

What you need is a thesaurus. (Let me recommend OneLook.com.)

Being “passionate about” something

How many LinkedIn profiles have you seen where someone is “passionate about” web analytics? Or email marketing? Or tax law? Or artificial intelligence? I saw a job posting that required applicants to “be passionate about short-form copy.”

Seriously? You’re passionate about that? Your passionate about gazing deeply into the limpid pools of Google Analytics reports? I should yearn for the delicate touch of a 280-character tweet?

This thing smolders within your heart like burning coals? You can’t stop thinking about email marketing and it consumes your every waking moment? Whenever the wind blows, you hear its name in the trees — Tax law! Tax law! — and feel its caress on your face, like the touch of a lover?

Either you’re the most boring person on Earth, or you’re overinflating your dedication to this particular job function.

You should be passionate about your family or your partner. You should be passionate about a sports team or an art form. You should be passionate about something so much that you dress up in funny clothes and scream like a maniac whenever you get to do it. That’s passion. Do you do that when you get to send out an email newsletter?

(If you do, please share a video of that.)

If you feel that way about email marketing, or whatever, more power to you. It takes all types to make the world go ’round. But I tend to just roll my eyes and assume you’re exaggerating.

Making history/is historic

Things do not make history. Events are not historic, especially if that event hasn’t happened yet.

Whose history? Who decided it was historic? There were two Black quarterbacks in the Super Bowl this year. So many sportswriters relied on the clichéd crutch of calling it historic, but it wasn’t.

Was it notable? Absolutely. Was it important? You bet. Was it long overdue and a wrong that should have been righted years ago, ever since Doug Williams became the first Black QB and the first Black Super Bowl MVP in 1988? You’d better believe it.

But was it a thing that historians are going to be writing books about and discussing at length in 100 years? No. That’s the historic stuff.

What’s the difference between HISTORIC and HISTORICAL?

A quick note on the difference between these two terms. Historic refers to things that are important that everyone should be aware of: the signing of the Declaration of Independence, the Civil War, the first Black president.

Historical is anything that’s from a prior period in time. A book published in 1776, a letter from a Union soldier, the first football game between Harvard and Yale.

While we’re on the subject, please GOD stop saying “an historic.” It’s not AN historic, it’s A historic. Sure, I know you heard the news people say it, but they’re bandwagon-jumping idiots who try to sound sophisticated and miss the mark. There’s absolutely no reason ever that you should say “an historic,” unless it’s to mock someone else who does it.

We use “an” before any word that starts with a vowel sound, and “a” before any word that starts with a consonant sound.

  • An umbrella, an MBA, an hour.
  • A unicorn, a university, a European.

Historic — unless you’re from Boston or are a 19th-century chimney sweep — is pronounced with the H sound very much intact.

Using adverbs and adjectives for EVERYTHING

There’s a very good chance you’ve sung the praises of a colleague, collaborator, or frenemy and you do so in the most glowing terms possible.

“I had an amazing, mind-blowing lunch at this delightfully cozy little bistro with my wonderful, delightful, mind-bogglingly creative friend, Churlington Beescoat.”

We gush, extol, glorify, and heap exaltations on our dear friend, Churlington, and we can’t say enough nice things about him because he is simply the Best Person Ever.

At least until next week, when we have lunch with our dear friend, Powderkeg Malone.

There’s a reason we don’t use a lot of adverbs and adjectives in writing. They’re a tool that new writers overuse, but they keep us from writing our best work. (Adverbs do, not new writers.)

If you have to describe a verb, then you’re using the wrong verb. Too many young writers try to wring out as much emotion as possible to tell you that their goldfish’s death made them cry really, really, really terribly loudly.

That’s not very sad at all. Maybe if you added another “really?”

What’s wrong with adjectives though?

They’re less problematic than adverbs, but there are times when you need to describe a noun. However, that’s not always necessary.

“A nutritious lunch” tells us what kind of lunch it is, but it’s not very interesting. “A lunch that would make my nutritionist nod in quiet approval” paints a more vivid picture. We get the sense that the lunch is sensible, solid, and even a little boring.

Instead of using adverbs and adjectives, come up with better verbs and nouns. You’re writers, for God’s sake! Expand your vocabulary. Come up with new words or use old words in new ways. (Just no business jargon, please.)

Recently, I saw Garrison Keillor talk about “purpling one’s thumb with a hammer,” and I thought that was the very best way to describe whacking your thumb with a hammer, because the word not only contains the action, but the result. You didn’t just hit your thumb, you hit it so hard that it bruised and bled underneath the nail. But those previous 12 words are contained within the single word “purpling.”

As content marketers, we need to use powerful language like that. We want to write powerful, persuasive copy that causes people to reach for their credit cards and purchase orders. And they don’t do that for really amazing, terrific, stupendous products.

As a writer, no matter what you write, you need to focus on the mechanics of your writing. Your word choice, your sentence structure, and your tone are just as important as your story, your narrative, and your characters. Maybe more so.

So avoid these copywriting crutches. Find a new way to say things and to be more interesting.

Let’s face it, your writing is going to flop otherwise.

Photo credit: Stocksnap (Pixabay, Creative Commons 0)

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How to Find Your Client’s Voice as a Writer

If you’re a ghostwriter or freelance writer, it can be difficult to find your client’s voice. It’s not as important if you’re only doing a small one-off project like an email, but it’s critical if you’re ghostwriting a book, a speech, or a series of blog articles for a corporation.

Here are a few ways you can find your client’s voice, and one secret to finding it when the client doesn’t even know what their voice should be.

1. Listen to how they talk

You should not — absolutely never — just start writing without talking to your client. You’ll want to do a discovery call at least, to find out what the client wants and to identify your scope of work.

More importantly, you want to talk with the person whose name is going to go on the work. That means if you’re writing for a CEO, make sure you talk with the CEO. Not their staff, not their go-betweens. Your client may have a certain turn of phrase or favorite word they use, and you want to know what they are; the go-betweens will not.

Several years ago, I helped the CEO of a Fortune 500 insurance company ghostwrite his book on CEOs and social media. We met in his (gorgeous!) office to talk about the project, and he said a few words and phrases that I came to learn were his way of talking. He used, not bigger words per se, but unusual words — like “per se.”

I wrote those in my handy-dandy Moleskine notebook to refer to later. They actually never came up again, but it helped me understand that he chose his words carefully and had a particular speech pattern, so I needed to remember to follow it when I turned his words into text. We also spoke by phone every two weeks, so I was exposed to his speaking style more and more.

Also, he and his social media director noticed my note-taking and commented on it. They said they felt good about their choice because I was clearly conscientious. I had never thought of it that way, but who am I to turn down accidental recognition?

So, always take note of the little speech patterns your client has. Whether they know it or not, they have them and will feel good that you recognized it.

Plus, even if you never refer to it again, it makes you look like you know what you’re doing.

2. Read your client’s past work

This is what they think they sound like. It may be conversational, or it may be instructional. It may be light and airy or it may be serious and business-like. It may have a lot of second-person references — “what would you do?” — or it may be cold and impersonal — “Apply the lotion liberally to one’s epidermis and return it to the basket.”

Make sure you read a lot of your client’s work, because their regular ghostwriters may have changed over time. Or they use a lot of different writers all at once, which may allow for a little more flexibility. Still, all those writers may have a similar voice as well, so follow the crowd.

3. Ask them what they think their voice is

Make sure you can match up what they think their voice is and what you’ve read and heard. Maybe they say they want to be friendly and approachable, but their past work reads like it was written by a child-hating robot.

Or they want to have a tone and voice that conveys seriousness and stability, but they can’t stop sounding conversational.

Ultimately, what they tell you what they want is what you should strive for, but you should also feel confident enough to point out the inconsistency. Just say, “I understand you want X, but your past work sounds more like Y. Are you changing from your past voice?”

If they don’t agree with your assessment and they think their written work sounds like their desired voice, and that you don’t know what you’re talking about, do two things:

1) Try to match their past work rather than what they tell you. They think the past work sounds like their desired voice, so they’re looking for that. Let them tell you otherwise.
2) Make sure you get paid upfront.

4. The secret to finding a client’s voice when they don’t know what it is

What do you do when your client doesn’t have a voice, or when they’re not really good?

Years ago, I was an aspiring speechwriter and was asked to write a speech for a candidate for the U.S. Congress in my home district.

The candidate was running unopposed in our party’s primary because no one wanted to run against the opposition incumbent as he always won. Still, she needed the backing of all our party’s county chairmen, 12 in all, and she was in danger of not getting it.

She had given a speech at a district dinner that was a 45-minute vomit of anything she could think of; she was supposed to speak for 10 minutes on healthcare.

I got a call from my own county chair telling me that this woman needed major help, and could I help her with her speech? If she blew it again, the party wasn’t going to back her at all. They would rather run nobody that year than endorse her. So my speech was going to make or break her candidacy.

No pressure.

I called the candidate and we chatted on the phone for nearly an hour. She was really nice and fun to talk to, and she told me about her views. I took notes, but she rambled and I wasn’t sure what she actually wanted to cover or how she was supposed to say it. She didn’t have a voice in particular unless it was just one long, rambling sentence.

But I knew about this trick, and I thought I’d better use it.

I knew her speech had to be under 10 minutes, which equaled 1,000 words. That’s because the average person speaks between 100 – 150 words per minute. And she spoke a little fast, but I wanted to make sure she didn’t go over. So, 100 words x 10 minutes = 1,000 words.

I hit the three major points she wanted to hit, and stuck only to the important information without all the little tangents and tidbits she had shared during our call.

And, most importantly — and this is the big secret! — I wrote in short, punchy sentences, like a newspaper writer. Why? Because we all like to think we speak that way, at least when giving speeches. We all like to think we give speeches that are easy to hear, easy to read, and use lofty, soaring language about big ideas.

So I wrote short, punchy sentences about the big ideas.

When the dinner came, she gave the speech, and everyone loved her. Best speech of the night, very inspiring, blah blah blah, and the county chairmen all agreed unanimously to support her candidacy for the Congressional race.

(Narrator: She got 33% of the vote, just like every other candidate had ever done in that district.)

After she got home, she called me and gushed about the speech. “It was great. Everyone loved it, and you captured my voice perfectly!”

Well, no, I captured my voice perfectly. That was already my writing style, so I just wrote to my strength. It just happened to be the style that most people prefer to speak in.

I didn’t tell her this, of course, because that would be dumb.

Instead, I wrote several more speeches for her throughout her campaign, all using the same short, punchy style. And she rocked it. People loved her speeches and she was able to make her points without confusion or droning on.

All because I wrote in “her” voice.

Final thoughts

When writing for a client, you absolutely need to do everything you can to find their voice. Record them talking, have conversations with them, take notes in a notebook, and read their past works.

But if all else fails, write short, punchy sentences in the same way a newspaper writer would do it. If you don’t know what that sounds like, read Ernest Hemingway’s Big, Two-Hearted River.

It’s a short story, about 7,00 words, written at a 3.4-grade reading level, and has 17 adverbs in it. It’s my favorite Hemingway story and one that I model my own writing style after.

Write in that manner because it’s what people think they sound like when they give speeches. And it’s the way they think they write.

If you can capture your client’s voice, they’ll be happy, and they’ll keep you coming back for more.

And if they piss you off, just make them sound like a drunk pirate instead.

Photo credit: Caleb Oquendo (Pexels, Creative Commons 0)

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Be Bold with Content Marketing Choices: Podcasts, Books, Graphic Novels!

There’s such a mountain of dreck and garbage in content marketing today that it’s burying all the good stuff. And that doesn’t include anything that’s generated by AI programs. Most of it is mediocre garbage created by barely-skilled practitioners who pray at the altar of First thought = best thought.

We miss out on all the good content because it’s buried by the same repetitive, 101-level nonsense — 5 Content Marketing Secrets (#1: Write good stuff) — that tens of thousands of other content marketers just sort of blurged out.

If content marketers want to stand out from the crowd, they need to be big and bold.

Fifteen years ago, when social media and blogging were just catching on, you could dominate your industry just by being on social media and having a blog.

Nowadays, you can’t not be online. You will be absolutely crushed by those companies that do. Imagine being dominated by another company that blogs once every three months and tweets every two weeks.

How embarrassing.

Enough With the 101-Level Content

That means creating stellar content. You can’t write the same introductory 101-level garbage that everyone else is. It’s been overdone, and you’re not going to stand out.

Do a quick Google search for your job or industry and the word “secrets.” Go ahead, I’ll wait.

. . .

How many results showed up? How many of them said the same thing over and over and over?

As you perused the results, were the top results from well-established brands with a major online presence and thousands of articles? Of course, they were. No one is going to supplant them without a lot of time, money, and effort. A lot of it.

When I did a search for “content marketing secrets,” not only were there 114 million results, but number one on the list was Hubspot, and the top info card was from ClassyCareerGirl.com.

So what sort of chance do I have of trying to rank #1 for that particular keyword? I would need to start a campaign that would take 80 hours per week, generate thousands of articles, and I would spend years doing social media promotion, and I would still be behind.

So rather than repeating that effort and writing the 114,000,001st “content marketing secrets” article, why not do something bolder?

Be Bold In Your Content Marketing

I’d love to see content marketers be big and brassy with their efforts. Don’t just limit yourself to blog articles. Do something out of the ordinary, something more challenging that not everyone else does. For example, you could:

  • Write a book on your subject. Not just a 30-page ebook either, but a serious tome about your specialist subject. Nothing says, “I know a lot about this” like a book.
  • Write a NOVEL about your subject. Remember The One-Minute Manager and Who Moved My Cheese? Those are technically non-fiction books called business parables. They’re stories that teach lessons through storytelling, not a dry recitation of facts. I’m currently working on a business parable for a client about his leadership philosophy.
  • Record a podcast. Some of the best practitioners in their field have podcasts, which is how they become leaders in their brands. There are podcasts on marketing, manufacturing, entrepreneurship, dental practice, and accounting. If you can think of it, chances are there’s a podcast. But there’s not your podcast.*
  • Write a graphic novel. I’d love to see a bank or wealth management firm teach kids about financial literacy, but with a graphic novel. Everyone’s got books and lesson plans to teach financial literacy, but no one has done it with a comic book. Now that’s bold!
    • Orson Welles directing The Mercury Theater On The Air.
  • Create an audio drama. If you’ve ever listened to old-time radio or modern audio drama (same thing, different names), then you understand the power of audio storytelling. Create characters, create a conflict (plot), and build a story around it. Hell, Matt Damon and Ben Affleck made a movie about a shoe! So don’t tell me you can’t tell a story about your field.
  • Better yet, make it an episodic soap opera. I would absolutely listen to a podcast about life at an insurance company that insures against superhero damage. You could use each episode to explain a small bit about the insurance industry — Acts of God, natural disasters, etc. — but make it fun to listen to as well.
  • Make a movie. See above about Damon and Affleck’s “Air.”
  • Do a weekly video series. Rand Fishkin, founder of Moz and Wil Wheaton lookalike, established himself as the King of SEO with his weekly Whiteboard Friday videos, which Moz continued with after Rand left the company. Create weekly whiteboard videos that show you explaining a particular topic or concept to your audience.

* Tip: Podcasts make great sales tools. Invite your sales prospects to be interviewed on your podcast. They may not take your sales call, but they’ll be happy to be on your podcast. And they’ll remember you and what you do later.

That’s how you can be bold. That’s how you can make content that’s better than the average, run-of-the-mill content that’s burying all the good stuff. You can make things that stand out and catch people’s attention in a way that regular blog articles — like this one, I know — just can’t do.

And if you have any questions about book writing, blogging, writing audio dramas, podcasting, or content marketing in general, let me know. I’ve done all of that, and am happy to give advice and recommendations.

Photo credit: McFadden Publications, Feb. 1939 (Wikimedia Commons, Public Domain)

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Don’t Worry If You Write Similar Articles: 5 Reasons Why You Should

Sometimes when I’m working with clients, I’ll write similar articles with topics that overlap in one or two ways. They cover nearly the same topic. Or they use some of the same keywords. Or they cover two different solutions that solve the same problem. Or two different problems that can be fixed with the same solution.

The clients will often want to scrub the similar articles, worried about the overlap.

“It’s fine,” I tell them. “It doesn’t matter if we have overlap. In fact, we want them to overlap, and here’s why.”

And then I lay out concise, logical reasons about why you should write similar articles for content marketing purposes.

Your readers are not reading every article.

People come to your website because they’re looking for a particular solution, or because they came in on a single Google search. When they come, they’ll read the article they need and then they’ll leave again. They don’t poke around looking for similar articles, and even if they find them, they won’t suddenly abandon their quest for your product.

“Oh, crap! I was all set to spend six figures on this solution, but these jerks wrote two somewhat similar articles!”

Sounds silly, doesn’t it? That’s because it doesn’t happen. And if people do find two similar articles, they may read them both, which is what will ultimately drive them down your sales funnel.

People are using different keywords or phrases to find you

Your website should rank for different keywords; those keywords will bring different people to different blog articles and landing pages. They search for different keywords because they have different questions or different problems. You can’t just write one blog article or one landing page and expect it to do everything for everyone.

Your readers are not looking for the same exact thing, which means they can be served by slightly different articles.

Years ago, I had a client that manufactured different attachments for skid steer loaders (e.g. Bobcat). Among their 200+ attachments, they made snow plows, snow pushers, and snow blowers.

And so we wrote different articles about why they needed plows over pushers, pushers over blowers, blowers over plows. And then we wrote the reverse articles: pushers over plows, blowers over pushers, plows over blowers.

Why?

Because different people came to the site for different reasons; we had to write the articles that would tell them what they needed to know. They came in looking for a particular keyword in relation to a particular question — “Do I need a snow plow or a snow pusher?” “Do I need a snow pusher or a snow blower?” People didn’t have identical questions, so we couldn’t give them a single, one-size-fits-all answer.

Our job was to answer that particular question, no matter what they were looking for. So we created slightly similar articles to do just that. The end result is the client saw a significant increase in sales because everyone could find the infomration they needed.

People come to you via different paths.

Sometimes people find you because of social media, not SEO. That means you should be tweeting and sharing your articles several times in one week. When I publish my humor columns, I tweet the link three times on Friday, three on Saturday (including 3 AM), and once on Sunday and Monday. I also publish it on Facebook and LinkedIn (when appropriate). I do it because all my followers aren’t eagerly awaiting my next column, racing to read it by 9 AM on Friday morning.

My readers are on social media at different times of day — morning Twitter readers are not necessarily afternoon Twitter readers. And the 3 AM readers are probably in the UK and Europe, or they have severe insomnia.

More so, most people don’t see any article I post, which means I can’t count on my audience to see every single thing I’m posting. Still, I need to give them several opportunities to find it, so I need to share it more than a few times.

That may happen with your readers as well. A reader who catches your latest tweet about your latest article may have missed the hundreds of tweets you’ve sent over the past several months. And it’s the only one they’re going to see. But another reader saw your article from three months ago and they missed this new one completely.

Both articles may have been slightly similar, but each reader only saw one article, so they each may need to cover some of the same material. There are a few major points you need to stress over and over, not because you want to beat people over the head with them, but because everyone is arriving at different times to different landing pages.

People don’t remember what you said three weeks ago.

You’ve heard that people need 6 – 8 marketing touches before they make a buying decision. Which means it probably doesn’t hurt that they hear some of that information 6 – 8 times just to remember it.

And we don’t retain the information we’ve read very well, especially when we read on our mobile phones and laptops. (We retain information gleaned from paper reading better.)

That means people aren’t going to remember what you wrote in your blog article three weeks ago, so it’s OK to remind them of it once in a while. In fact, the more you remind them, the more likely they’re going to remember it as they make their buyer’s journey.

IT’S FOR SEO. NOT EVERYTHING IS FOR YOU!

Given everything else I’ve said up to this point, the most important thing is that you’re writing articles for Google.

Now, before all the content marketers start jumping up and down on me with hob-nailed boots, I am NOT saying that you should write for bots over people. I want you to do the opposite of that at all times.

But what I am saying is that you cannot ignore the bots. People will come and people will go, but these bots will be around forever. They’ve been crawling my first blog since 2003, they’ve been crawling this blog since 2009. But my readers? I doubt very much that I have any readers from 2009, let alone 2003. But Google has certainly been around since then, and they’ve been tracking my SEO for the last 19 and 13 years.

That means I need to keep the bots happy and give them plenty of rich content with the right keywords, images, videos, and so on.

And yes, I absolutely need to write for my human readers. They take top priority in all the work I do. I need to write well, I need to be interesting, I need to be relevant, and I need to be entertaining.

But I can do that and still incorporate the right SEO tricks to keep Google happy. I can walk and chew gum at the same time.

One of those tricks is to write multiple articles with topics that may overlap from time to time. It doesn’t mean to write identical articles, or to even write articles that are 50% different from the previous article. (A common SEO cheat is to rewrite articles so they’re at least 25% different and post them in different places to make Google think they’re two different articles.)

It means knowing that different people will read different articles at different times. It means publishing interesting, well-written pieces that provide some sort of value — education, information, entertainment, etc.

But the bottom line is that while you’re writing for those people, you must write for the bots as well. You can do that and still sound human when you do it.

If you can’t, then hire a professional who can. We’re the ones who know how to write for the bots in such a way that the humans will never know.

And vice versa.

If you’d like to learn more about writing for search while writing for people, let us know. We’d be happy to tell you more.

Photo credit: Bob Adams from George, South Africa (Wikimedia Commons, Creative Commons 2.0)

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Marketers, Put Analogies, Similes, and Metaphors to Work for You

What’s the difference between metaphors, similes, and analogies? Not a lot, unless you’re a word nerd like me.

Short answer: Metaphors describe an idea; similes do the same, but use “like” or “as.” Analogies are that mystery comparison that we all pretend to know what it means, but we really think it’s a simile.

Ann Handley recently wrote in her Total Annarchy newsletter about the importance of analogies.

In Marketing, analogies pack a lot in a tiny overhead bin space.

They can help us explain convoluted ideas or applications more simply. They can help our audiences understand what we do or what we sell.

And (important!) analogies can help us be more memorable.

When it comes to writing, there are three types of analogies we can use. And they’re so similar, they’re easy to get confused. Hell, I wrote this article, and I’m still not entirely clear on what they mean!

Metaphors:

A metaphor compares two things, one to the other, but doesn’t use the words “like” or “as.” They’re more powerful and almost make a strong commitment to the comparison.

As George Savile once said, “Men’s words are bullets that their enemies take up and make use of against them.”

Or William Shakespeare in As You Like It, “All the world’s a stage, And all the men and women merely players.”

Did you see it? Men’s words are bullets. They’re not like bullets, they ARE bullets. And all the men and women (are) merely players. Not like, are.

Metaphors tend to be more poetic and you can create greater imagery with them.

They’re also morally superior to similes. (More on that in a minute.)

Similes:

The weasel word of the comparison game! I’m not a fan of similes because they are weaker than metaphors. The big difference between a simile and a metaphor is the words “like” or “as.”

“Life is like a box of chocolates,” Forrest Gump famously said. He didn’t want to commit to the image, so he said it’s only like a box of chocolates.

Weasel!

Similes compare two unlike items in order to create meaning at a deeper level. “My love is like a red, red rose, That’s newly sprung in June,” said Robert Burns.

If I were Mrs. Burns (Jean Armour), I’d be worried about that relationship: He can’t commit to a metaphor, but he’s going to commit to you?

(Burns was also a noted philanderer, so this should have been a clue to Armour.)

Other similes include “as blind as a bat,” “as clumsy as an ox,” and “like watching paint dry.”

Analogies:

Part metaphor, part simile, all argument. That is, an analogy is a type of argument or explanation that compares two items but in relation to each other as a way to explain one of the items.

“Our latest company reorganization is about as useful as rearranging the deck chairs on the Titanic.” or “Explaining a joke is like dissecting a frog. You understand it better but the frog dies in the process.” (E.B. White)

But They All Look the Same.

Of course, when you really look at it, it’s hard to make a distinction between analogies and similes. Are similes the shorter aphorisms? “As blind as a bat” and “clumsy as an ox?” And are phrases like “Watching the play was like watching paint dry” analogies because they’re longer?

As I was researching this piece, I found article after article that mixed up the use of these three terms. But I found one explanation that seemed to explain the difference. As Robert Lee Brewer, senior editor of Writer’s Digest, said,

A metaphor is something, a simile is like something, and an analogy explains how one thing being like another helps explain them both.

See? Clear as mud.

Basically, the three terms can be used almost interchangeably and you could argue for days about whether “Life is like a box of chocolates” is a simile or an analogy.

<One of my favorite albums of all time is Tom Waits’ Nighthawks At The Diner, and I especially love the song, “Putnam County”. In it, Waits says the following verse.

And the impending squint of first light
And it lurked behind a weepin’ marquee in downtown Putnam
Yeah, and it’d be pullin’ up any minute now
Just like a bastard amber Velveeta yellow cab on a rainy corner
And be blowin’ its horn in every window in town

There, Waits uses a combination of metaphors and similes as a way to describe the morning sunlight banging on your windows after a hard night’s drinking. And you can see how he uses the devices for a most-powerful effect.

Regardless, the easy thing to remember is that similes (and analogies) use “like” or “as” and metaphors do not.

That makes metaphors more powerful and morally superior, but we’ll argue about that later.

Photo credit: CarbonNYC (Wikimedia Commons, Creative Commons 2.0)