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May 7, 2021 By Erik Deckers

Blogging For Your Business Speaker Schedule

I’m part of the Blogging For Your Business seminar series this month, and it’s already well underway. I’m very honored to be a part of such an august group and know several of the names on here.

If you want to learn about how blogging can establish you as an expert in your field, boost your SEO, and stand out from your non-blogging competition, this is a great event for you. You’ll learn from several of the experts in the industry, you can register right here.

And if you register in time to hear my session, I will be giving away a free ebook on 12 (Or More) Steps to Improve Your Writing. (Link coming soon.)

  • Monday, May 3rd – Barry Feldman – Fast-Track Your Content Marketing Plan
  • Monday, May 3rd – Amy Woods – Repurpose Your Content Like Top TV Talk Shows

    Tuesday, May 4th – Debra Eckerling – Goal-Setting Simplified For Your Business Blog Using the D*E*B Method

    Tuesday, May 4th – Jason Falls – Holy Smokes! How to Push the Envelope and Stand Out With Social Content Strategy

    Wednesday, May 5th – Mary Kate Gulick – Cornerstone Content: Your Best, First Content Move to Boost Credibility & Authority

    Wednesday, May 5th – Rebekah Read – The 3-Step Plan to Getting Your Website Shown on Google

    Thursday, May 6th – Vicky Laffey – Never Be Stuck for Content Ideas Again!

    Thursday, May 6th – Jennifer Grayeb – How to Know if Your Marketing Is Working and Exactly What to Do if It’s Not

    Friday, May 7th – Erika Heald – How to Audit and Refresh Your Existing Blog Content

    Friday, May 7th – Ilise Benun – Content Marketing on Steroids

    Saturday, May 8th – Lily Ugbaja – Creating Content That Ranks and Converts

    Sunday, May 9th – Chad Pollitt – How to Attract Over 50K Subscribers in 6 Months

    Monday, May 10th – Urwah Kamran – The Bait: How to Create a Freebie That Turns Your Audience Into Paying Customers

    Monday, May 10th – Christine Marie Pizzuto – The Right Content Mindset

    Tuesday, May 11th – Amanda Webb – How to Attract More Blog Readers Than Ever Before

    Tuesday, May 11th – Chris Craft – The Power of Repurposing Content in Digital Media

    Wednesday, May 12th – Cara Chace – How to Fix Your Pinterest Strategy if It’s Not Working

    Wednesday, May 12th – Erik Deckers – Content Marketing Secrets Learned From the Giants of Fiction< — I WILL ALSO BE DOING A FACEBOOK LIVE Q&A AT 3 PM EDT THAT DAY. (Be sure to join the group early so you can just show up at 3PM

    Thursday, May 13th – Mike Allton – How to Create 10x Content 10x Faster

    Thursday, May 13th – Kelsey Formost – 5 Steps to Start and Grow Your List

    Friday, May 14th – Jessika Phillips – How to Capture Attention, Amplify Your Message, and Keep Them Coming Back for More

    Friday, May 14th – Lisa Sicard – Alternative Social Media Networks: Where Are Your Ideal Customers Hanging Out?

    Saturday, May 15th – Joe Pulizzi – How to Use Content to Accomplish What Few Can Achieve: Build Your Business Into an Empire

    Sunday, May 16th – Ashleigh McGarity – How to Make Must-Read Headlines That Will Attract 438% More Traffic to Your Website

Filed Under: Blog Writing, Blogging, Content Marketing Tagged With: blogging, content marketing, seminar, speaking

May 4, 2021 By Erik Deckers

What is the Ideal Paragraph Length?

What’s the ideal paragraph length? Is there an ideal paragraph length? Are there hard-and-fast rules that govern how long our paragraphs — “grafs,” if you’re cool and/or “in the biz” — or can you just create paragraphs of different lengths willy-nilly, like some damn hippie?

The latest episode of Grammar Girl’s podcast opened with this horrifying story:

A while ago, I saw a comment on Facebook about professors who are teaching college students to make all their paragraphs the same length. The woman wrote, “There are professors at my school who deduct points, sometimes even letter grades, if paragraphs aren’t the same exact length throughout a paper. Because writing should be ‘balanced’ and it can only achieve ‘balance’ if all paragraphs are equal in length.”

Since this is one of the most preposterous things I’ve ever heard, I thought I must have misunderstood, but I asked for clarification and learned that the “uniform paragraph length rule” is so pervasive at this university that one professor uses a ruler to measure physical paragraph length in an introductory English class.

Let me say it right now, upfront.

There is no one ideal paragraph length.

According to Grammar Girl, both the Yahoo! Style Guide and the college handbook A Writer’s Reference (affiliate links) say the ideal paragraph length is between 100 and 200 words. However, “good writers treat this as a suggestion and not a hard and fast rule.”

The problem is, we live in an age of skimmers, not readers. If you’re a content marketer, blogger, or essayist, you don’t have the luxury of getting people to dig into a block of text between 100 and 200 words. Large blocks of text without any white space make our eyes glaze over — at least mine do — and we just zone out and get the early morning stares. A big block of text just looks boring as shit. People ignore long paragraphs because they’re dense, so we should avoid cramming in that many words, of which this is the 100th.

Seriously, that graf is exactly 100 words long.

That one was eight.

And that one was four.

Do you see the difference? Do you feel how much easier it felt to read the short one-sentence paragraphs instead of that 100-word monstrosity?

Like it or not, people don’t read, they skim. They prefer short paragraphs, not long chunks of text. Sure, you can slip them in once in a while, but people tend not to read them. Did you even notice I said “shit” in that 100-word paragraph up there?

Unfortunately, writing teachers tend to give young writers bad advice, which is why there are “rules” about paragraph length.

Just remember, there’s the right way to write, and the school way. And the two are frequently different.

Paragraphs Aren’t a Part of Your System, Man!

Paragraphs can — and should — be varying lengths. If you want to write 200-word paragraphs, go ahead. If you think you can manage several 200-word paragraphs in a row, be my guest. But I’ll bet if you were to do a heat map or readability study of your work, you’d find that very few people are slogging their way through that bog.

There are already several “rules of English” that we can safely ignore. Either they’re obsolete, the language has changed, or they never should have been a rule in the first place.

  • You can put a preposition at the end of a sentence. That should have never been a rule in the first place.
  • You can split infinitives. That also should not have been a rule.
  • You can start sentences with And, But, and Or. This rule has changed through “common usage.”
  • You can start a sentence with “Hopefully.” It’s called a floating sentence adverb, and we’ve always been allowed to start sentences with those.
  • Sentences, and even entire paragraphs, can be one word long.

I’ll admit, I’m not a big fan of some of the changes that are happening to the English language. Like the fact that “literally” now means figuratively. (Seriously, go to Google and enter “define literally!” That irritates me to no end!)

Conversely, some things were incorrect in the first place, and they’re only now being fixed, like the whole “don’t end your sentence with a preposition” thing.

Teaching students that a paragraph must be of a certain length is also terrible teaching. Good writing will have paragraphs of varying length, from a couple hundred words (Yeesh!) to just one word. To teach otherwise is a disservice to your students because many of them will go through life thinking it’s a requirement when at best, it’s a guideline.

And before you tell me, “You have to learn the rules before you break them,” I would say 1) there’s not a real rule about paragraph length, and 2) you can teach people that paragraph lengths vary without blowing their minds.

They can make the leap from not knowing how long a graf is to knowing that it can be different. You don’t have to spend an entire semester teaching them this one rule, only to tell them, “Just kidding!” at some undetermined point in the future.

Bottom line: there’s no ideal paragraph length, and you can make them any size you want.

Seriously.

Photo credit: Qimono (Pixabay, Creative Commons 0)

Filed Under: Blog Writing, Content Marketing, Language, Writing Tagged With: content marketing, copywriting, writing, writing rules

April 20, 2021 By Erik Deckers

What’s the Difference Between Satire and Parody?

Although the two words are used interchangeably, there’s a difference between satire and parody.

For one thing, parody is considered an element of satire. Both use exaggeration humor, and irony. But HG.org considers parody to fit within satire.

Or as, British writer Luke Edley said, “parody is a brick, and satire is the wall.”

So what’s the difference?

In essence, parody makes fun of an original work. The Copyright Alliance says it’s a comedic commentary about a work, that requires an imitation of the work. On the other hand, satire makes fun of an aspect of the world but doesn’t rely on a previous work to do it.

So parody uses (usually) copyrighted work for its commentary, while satire doesn’t.

A Mind Map of Satire & Parody by Austin Kleon
It’s the difference between Harvard Lampoon’s Bored Of The Rings or Barry Trotter and The Unauthorized Parody and my own book, Mackinac Island Nation

Bored Of The Rings is a rip-roaring retelling of J.R.R. Tolkien’s Lord Of The Rings and Barry Trotter rips off the more popular Harry Potter series. Meanwhile, Mackinac Island Nation is an original work that does not draw on any previously copyrighted work at all. (And it sold a lot less than either of the books. Shut up.)

Mackinac Island Nation makes fun of, and draw attention to, the attitude of a certain segment of American society, while Bored Of The Rings and Barry Trotter just make fun of popular fantasy/urban fantasy novels.

(Also, both parodies rely on the cardinal sin of using joke names, which, to my mind, is the lowest form of humor. Lower than puns even! I can deal with puns, but Frito Bugger and Spam Gangree, or Barry Trotter and Lon Measley of Hogwash School of Witchcrap? BLEAH! Joke names are never funny and the authors should be ashamed.)

Parody can also make fun of public figures, such as politicians and celebrities, in order to make its (satirical) point. Saturday Night Live is an example of parody and satire coming together, and it will sometimes parody characters, TV shows, and popular movies.

On the other hand, South Park is usually satire without being parody. They don’t borrow from original source material, but they do make fun of public figures and current events.

Are parody and satire considered protected speech?

Satire and parody are used primarily, says the Freedom Forum Institute, “to attack and ridicule individuals’ moral and character flaws, such as vice, unfairness, stupidity or vanity.”

According to the website HG.org, satire is certainly protected by the First Amendment:

This makes both satire and parody powerful tools when making fun of, and pointing out the foibles of, politicians, celebrities, athletes, and other public figures, as well as certain political attitudes and beliefs.

From Wikimedia Commons: This would be the evolution of violence: starting from a raving primate, we develop into a nose-detecting homo habilis, then a greek hoplite looking at the next man, a roman legionary, who sits weeping because of the mockeries of a satiric poet.

Just remember that the First Amendment only applies to the government and government agencies limiting your freedom of expression. Private entities, like a social media site, retail store, or even an individual, can make rules about what you can and can’t say when you’re on their website, in their store, or in their home.

Even if you wrote a great parody about Facebook and Mark Zuckerberg (and called him — God help me — Fart Zucker-booger), Facebook would be allowed to delete your otherwise brilliant parody from their website. Even though Mark Zuckerberg is a public figure, and you’re allowed to parody him in a story, Facebook is a private entity and they can remove your content.

But if you hosted it on your own website, then there’s nothing Facebook could do about it.

What’s the difference between pastiche and parody?

A pastiche is like a parody, only there’s no intent to ridicule or attack. The whole point is to recreate and replicate the original work, and to recreate the original experience.

For example, there are hundreds of Sherlock Holmes pastiches. Bill Peschel (who said the above line) over at Peschel Press has published a couple hundred of them, while Otto Penzler of Mysterious Press published The Big Book of Sherlock Holmes Stories.

There is even a database of over 9,000 entries of different Sherlock Holmes pastiches, as maintained by Philip K. Jones (link downloads an Excel [.xls] file).

The whole point of reading most of these pastiches is to make you think there are some additional Sherlock Holmes stories written by Arthur Conan Doyle. You’re meant to experience those same feelings that you had when you read the original 60 stories in the Sherlockian canon.

A parody is not meant to create that feeling, it’s meant to (usually) get a laugh by using the original source material.

In other words, a parody could be considered a pastiche, but not all pastiches are parodies, simply because they’re trying to replicate the original work and recreate the original experience.

Photo credit: Austin Kleon (Flickr, Creative Commons)
Photo credit: Utente:M1ka1L (Wikimedia Commons, Creative Commons 3.0)

Filed Under: Language, Writing Tagged With: parody, satire, writing, writing skills

April 12, 2021 By Erik Deckers

Content Marketers Need to Study Sportswriters

Sportswriters are some of the best writers around.

Period, end of sentence.

Especially the sports columnists.

Go into any newsroom anywhere, and read samples of the best work from each writer, and the sports columnists will have some of the best writing in the entire room.

That’s because they’re some of the best storytellers around. They can tell a story about any person, pulling on a tiny thread in a person’s life, and discover some of the most interesting, little-known revelations about a person that lives such a public-but-unknown life.

They’re the ones who ask an NFL running back about his mom and write about how she worked three jobs but never missed a game. They write about a pitcher’s relationship with his dad, and how they still talk on the phone after every game. They tell you about how a basketball player missed her senior year of high school with a knee injury and spent nine months in painful rehab just to be able to walk again, let alone get drafted in the first round.

Anyone who’s a fan of sports, a fan of good writing, or both, knows the sports columnists who have a mastery of the language, can tell a great story, and pull something interesting out of tiny details. These are a few of my favorites:

Grantland Rice, considered by many to be the father of long-form journalism.
  • Tom Junod, the guy who wrote the Mr. Rogers story, Can You Say Hero?, that made me cry three times as I read it. (It’s the story that got turned into the Tom Hanks movie.)
  • Tom Verducci, baseball writer extraordinaire. When Hank Aaron died this past January, there was only one person Sports Illustrated could ask to write his obituary. If you only like baseball a little bit, read Tom Verducci; he’ll make you love it.
  • Pat Jordan. I’m reading his Tom Seaver And Me book right now. I picked it up with the intention of reading two pages on a quick break from work today and ended up reading for 30 minutes.
  • Roger Angell, the centenarian baseball writer for the New Yorker, and the guy who made me believe in long sentences again. I have five of Roger’s books and am always on the lookout for more. His story, “Three for the Tigers is my favorite Angell story, and his line “Everything you do in life, you do so that your son will go to ball games with you, and then he doesn’t want to,” broke my heart.
  • Jemele Hill takes shit from no one. She called Donald Trump a white supremacist in 2017 and would not apologize. She even worked here in Orlando as a columnist for the Orlando Sentinel for two years. She writes about social justice issues in sports and makes me understand how the two are related.
  • Sally Jenkins’ stories on the NCAA, tennis, golf, and women’s sports has earned her numerous Sports Columnist of the Year awards. Her February 5th column on Patrick Mahomes made me question whether he could outthink Peyton Manning, and whether I wanted to become a Patrick Mahomes fan.
  • You can hear interviews with many of these writers on Jeff Pearlman’s Two Writers Slinging Yang podcast. If you want to be any kind of writer, every episode of this podcast has a nugget of great writing advice. And his book on the USFL (Football For A Buck is the definitive history on the renegade league of the early 1980s.

There are dozens — hundreds, even — of writers I could name, but I don’t have the room. These are just a few of my favorites, but I’ve got a few dozen sports books from a variety of writers, some on topics I know nothing about. Even if I’m not a fan of the sport or the athlete, I’m a fan of the writer.

(My one non-sportswriter recommendation would be Dave Thompson’s book, Your Pretty Face Is Going To Hell: The Dangerous Glitter of David Bowie, Iggy Pop and Lou Reed.)

Why Should Content Marketers Study Sportswriters?

I’ve often said that content marketers need to read daily

I’ve also said they need to stop reading blogs.

Bad writing breeds bad writing, and reading bad writing will infect you with bad habits and sloppy tendencies. Most blogs tend to be poorly written — read my post “Half of All Written Content Online is Sh*t” — and you’re not going to improve by reading someone worse than you.

Instead, I usually recommend that content marketing writers read fiction books by established writers. Find your favorite writers and genres and devour several of them. Pay attention to their writing style and voice, and figure out how you can steal emulate parts of their style.

But you can also find some of the best creative non-fiction writing among the sportswriters and sports columnists. Pick a few and learn their style, then expand to their colleagues and see what it is that they do so well. Pick up one of The Best American Sportswriting annual books (or get The Best American Sportswriting of the Century) and read what some of the finest sportswriters in the country have done.

Then, once you have your favorites, find out who their idols and favorite writers were, and read their work. And if you can, find out those writers’ idols and inspirations, and read their stuff. I’m now reading works by Ring Lardner from the 1910s and 1920s, and Red Smith from the 1930s – 1970s, as I follow the sportswriting family tree to its roots.

Who are your favorite sportswriters? What’s one sportswriter you want to read more of or learn more about? Do you have a favorite or one you don’t like at all? Share your comments.

Filed Under: Blogging, Content Marketing, Writing, Writing Skills Tagged With: content marketing, sportswriting, writing, writing skills

April 6, 2021 By Erik Deckers

The Importance of Citing Original Sources In Your Content Marketing

Content marketers like to cite long-held statistics in their blog articles that get batted around from story to story, blog to blog, marketer to marketer. They’re the stories that get told over and over and over again, but no one is actually sure where they come from. They’re just widely accepted and firmly believed, even though they may be decades old.

For example, when I worked in direct mail, we repeated the stat that dirt mail postcards had a 1 – 3% read rate. That is, for every 100 people who received a direct mail postcard, roughly three people read it.

I asked my boss, a direct mail veteran of 30+ years how he knew that, and he admitted he didn’t know. It was just something he’d always heard and said.

There’s another famous story about “a Harvard study” where the researchers found that reducing the number of choices of gourmet jams led to increased sales. I’ve heard that story told so many times in hushed tones around marketing campfires — “and one of the researchers had a hook for a hand!” — the urban legend is now taken as lore, but none of us knew the origins of the story.

(For the record, it’s a study from 2000 by Sheena Iyengar of Columbia University and Mark Lepper of Stanford University. Not Harvard.)

And of course, there’s Ernest Hemingway’s famous-but-fake quote, “Write drunk, edit sober.”

He didn’t actually say it, and I’m ashamed to admit, I perpetuated that urban legend for a few years until I finally looked for the original source of the quote.

Original Sources Fight Fake News

The last four years have shown us the importance of fighting the gaslighting and intellectual laziness of calling something fake news. And we know that the only way journalists can counter accusations of fake news is to do original reporting.

That is, they interview the original sources of information. They go all the way to the insiders, the people who made a thing happen, the people on the scene. They don’t repeat stories from other news sources, they don’t pass along claims they saw in other newspapers or TV news segments. They don’t report things they heard from other reporters.

Journalism is not just a game of Telephone played by people repeating claim after claim after claim. When you see a story in the New York Times, Washington Post, Reuters, or Associated Press, you can be reasonably sure these journalists have gotten their details from the original sources on the scene.

(They have to, because if they’re found to be making things up, they could get sued. It’s rather telling that the people who whine about “fake news!” have not sued the news outlets over it. They could win millions of dollars if they could demonstrate that anything in the media was made up.)

So What Do Original Sources Have to Do With Content Marketing?

Fortunately (for many of us), marketers are not held to the same standards as journalists.

(I mean, could you imagine???)

But for those of us who actually do try to uphold some level of ethics and honesty, original reporting can only help us.

And while not all of us have the time, money, or resources to do our own original research — studies, surveys, massive A/B testing — we do have the ability to track down citations to their original source. (If you can do original research though, think of all the bloggers and speakers who will write about your findings!)

With my background in academia and being a “little-j journalist” (i.e., I’m a newspaper columnist, not a professional journalist), I’m all about the original sources. Whenever I need to cite a specific source, I always look for the original study or story that inspired the game-of-Telephone citations we typically find on the web. (See the above jam study)

The “famous” Coopers & Lybrand Document Management Study

Several months ago, I was doing a search for document management statistics, and I found article after article that shared some very damning statistics about paper filing systems, all from the same 1998 Coopers & Lybrand document management study. Here are a few:

  • US companies spend approximately $20 on labor costs in order to file a document, $120 on the labor required to find a misfiled document and $220 to reproduce a lost document.
  • For companies that manage their own files, employees spend between 20-40% of their time searching for documents manually.
  • Employees spend more than 50% of their time searching for information.
  • The average document is copied 19 times.

Terrible! Just terrible! Why are people still using paper files if we know this to be true?

Again, given my fixation on citing original sources, I found a blog post that linked to another article where I could find the statistics. It linked to another article with the same stats. Which linked to another article. And another. And another. And so on and on.

I followed over a dozen articles, each linking to another article, hoping to find the original copy of this clearly-important study. I mean, an entire industry had built their whole raison d’être on these statistics, so surely someone somewhere had something on it!

Right?

I found several dozen blog posts, and none of them — seriously, not one! — linked to the original study. They all linked to each other, but no one had a PDF copy of the famous Coopers & Lybrand study.

But I did find a 2012 article from a company called Scan123 about these incredible statistics:

These are usually attributed to a 1998 study by consulting firm Coopers & Lybrand, which merged with Price Waterhouse to become PricewaterhouseCoopers in that same year. These “facts” are still repeated by electronic document management companies almost fifteen years later because they paint a compelling picture of costly inefficiency to which a document management solution is the answer. We used to cite this study ourselves in our marketing materials for Scan123.

Seriously? That’s it?

No, that’s not all. They also cited a 2010 blog article by John Mancini who wrote:

While many of us have used these stats in a million presentations, I wonder, “Does anyone have the original report? Does anyone know the actual name of the report?”

One of the speakers at a recent AIIM seminar on ECM mentioned the data, and an attendee asked for the original source. Having used the data a million times myself, I searched through my hard drive. No dice. Then I turned to the web. No dice. Many references to the “1998 Coopers & Lybrand report,” but no actual copy or link.

Oops.

As of Scan123’s article in 2012, John Mancini had not received an original copy of the “1998 Coopers & Lybrand report,” so I emailed him to see if he has received anything in the last 11 years. I’ll let you know if I hear anything back.

(Update: I emailed John when I wrote this article, and on April 27, 2021, he wrote back to me: “Nobody ever came forward with the original report.”)

Bottom Line: Find Original Sources

If you want to avoid the marketer’s curse, or the label of “fake news,” stick to as much original reporting as you can. Do your own original research and interview your own subjects. If you can’t do that, then get as close to the original sources as you can.

Find the original study and download a PDF copy. Link to the original readable file in your blog articles and reports. Pull blockquotes from the original article (like I did above).

Don’t just do a quick Google search and link to the first article you find that supports what you say. That’s how the Cooper & Lybrand study became an industry-standard without an original document to back it up.

Photo credit: Jarmoluk (Pixabay, Creative Commons 0)
Photo credit: C.A.D.Schjelderup (Wikimedia Commons, Creative Commons 4.0)

Filed Under: Blog Writing, Blogging, Broadcast Media, Content Marketing, Marketing, News, Research Desk, Traditional Media Tagged With: blogging, journalism, reporting, research

March 30, 2021 By Erik Deckers

Half of All Written Content Online Is Sh*t

To paraphrase Ernest Hemingway, half of all written content is shit.

While he actually said “the first draft of anything is shit,” I would maintain that this applies to all online content in general for a couple of reasons:

  1. If we look at a normal bell curve of distribution, you know there’s a halfway mark where everything above it is average, above average, and excellent. That means that the other half is average, below average, and terrible.
  2. Most content marketers publish their first draft.

That doesn’t seem like so much until you realize that there are 70 million blog posts being produced on WordPress.com alone.

In other words, of that 70 million, exactly 35 million of them are above average, and 35 million are below average.

This does not include all the articles appearing on Blogger, Tumblr, LiveJournal, and all the other self-hosted blogs and websites. Let’s be generous and say there are 200 million articles posted every month.

I’ve lost count of the number of so-called content marketers and personal branding experts who publish sub-par blog articles on a daily basis. They issue a warning statement boast about how they wrote their entire week’s worth of blog articles on a Sunday afternoon, taking only two hours to complete the entire week’s work.

That works out to roughly 24 minutes to write a single blog article.

It shows, guys! It shows!

If what Ernest says is true, and the first draft of anything is shit, and half of anything is worse than average, there’s a very good chance that your 24-minute article is hot garbage.

So if you think you can get away with writing a single blog article in less than 30 minutes and expect it to be any good, you’ve got another think coming.

5 Quick and Dirty Tips to Improve Your Writing

There are entire books that will help you improve your writing, but let me give you these five quick tips to improve what you’ve already written. Even if it’s something you wrote a few weeks ago, you owe it to yourself and your readers to practice these five steps.

  1. Adopt a process of Write, Rewrite Twice, Polish Once. (Trust me, this one tip alone will make all the difference in the world.)
  2. Use Grammarly.com to find and correct any issues. Download it for Mac or Windows, and install the plugin on your web browser(s). Grammarly will check your writing anywhere and everywhere, which means it can help you identify problems in your email, tweets, and Facebook updates, which can help you correct some bad habits.
  3. Read your work out loud. If necessary, change the point size so the text lays out differently on the page. This forces you to look more closely as you read. You’ll catch double words like “the the” or sentences that you forgot to.
  4. Use Hemingwayapp.com. This works much in the same way that Grammarly does, but it forces you to look at sentence complexity, adverb usage, and reading level. (Remember, you want a lower reading level, not higher.)
  5. Edit paragraphs so there are no orphans. “Widows and orphans” is a typography term. (Read about it here.) In this case, orphans are single words on their own line at the end of a paragraph. As you’re writing your piece, edit each paragraph so there are no orphans. This will force you to tighten up the entire paragraph until you can pull that orphan up to the previous line.
  6. Excellent Work Is Being Buried Under Mountains of Shit

    There’s enough content online that the good stuff is getting buried. Remember, we estimated 200 million blog articles per month?

    Even if we created 5 million “excellent” pieces of work — something that’s two standard deviations from the dead-center average — it’s being buried by 195 million pieces of everything else.

    While you probably won’t write THE ABSOLUTE BESTEST NUMERO UNO BLOG ARTICLE OF ALL TIME!! this month (you have a 1-in-200-million chance), you can at least write a very interesting and memorable article that your readers will remember, love, and be inspired by. And you can get more of them if you can share it through social media and some clever SEO.

    If you can do these five things — especially #s 1 and 2 — you’ll greatly improve your written content online. At the very least, you can get it above that halfway mark in the distribution curve. It’s not that hard, you just have to spend a little more than 24 minutes on a single blog article.

    Photo credit: Bell Curve by Abhijit Bhaduri (Flickr, Creative Commons 2.0)
    Photo credit: GPA Photo Archive (Flickr, Creative Commons 0)

Filed Under: Blogging, Content Marketing, Writing, Writing Skills Tagged With: blogging, content marketing, writing

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