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Archives for December 2009

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Rules for Being a Media Blogger

This was originally posted at the DeckersMarketing.com blog on May 28, 2009.

I was really honored to be selected as a media blogger for the Indianapolis 500 this year (I’m covering it at my Laughing Stalk humor blog). I’m sitting up here with a lot of local talent, although there are a lot of empty seats right now (I’m in Dennis Neal’s seat from WLW radio in Cincinnati).

I learned a long time ago that there are a couple of unwritten (and written) rules for media people. And if you’re interested in being a guest blogger for a sports team or major event, you need to follow these rules. They’re the same ones the big-J Journalists follow every day. (“Big-J Journalist” implies that these people are serious journalists who make their living writing and producing important work. These guys look down on bloggers, because we’re not serious or well accepted in journalistic circles.)

  1. Never geek out. You were probably invited because you’ve got a passion for writing and for the team you’re covering. However, you’re the media now. You’re not a fanboy who bumped into your favorite player at a McDonald’s. Play it cool, be mature, and don’t try to be their buddy. You’re there to get a story, just like the real Journalists (see, I even used a big J), so act your age and get it done.
  2. Never ask for autographs or photos. My friend Amanda, who writes Red Hot Mama, the Cincinnati Reds/National League Central fan blog, said she once tried to get some media credentials for a Reds game, and was told it would never happen. It seems the year before, they allowed a blogger into the locker room, but the guy geeked out and asked for autographs and photos with the players. The guy turned into a total fanboy and gave the PR staff the only reason they would ever need to not invite bloggers to cover the team again. Now, we can argue the Reds are missing some great PR and coverage, but until that PR director leaves, he’s willing to give it up to avoid the hassles and headaches.
  3. Blogging is not big-J Journalism. And it never will be if you don’t act like it. Sure there are writers like Chris Brogan, Jason Falls, and even political writers like Matt Drudge and the Daily Kos are all professional bloggers and speakers. They take their reputations and brands seriously, and work hard to make blogging an accepted form of media. If you’re going to be a serious blogger — and maybe we should start calling ourselves big-B Bloggers — write your blog as if you have a serious brand to promote.
  4. On the other hand, you’re not there to write fluff either. Don’t feel like you have to be the company yes man on anything. I was eating lunch today with a reporter who had also been a blogger for his newspaper. He wrote a not-so-nice post about one of the racers and his wife last year, and was griped at by the racer’s staff via email. While he is no longer blogging for his paper, he is still employed by them. He still writes critical pieces if he needs to, and realizes he’s not there to be the PR mouthpiece of the racers or their teams. The takeaway: if you find or see something that could be seen as negative, write about it anyway. Do it respectfully, and treat it like a big-J Journalist would. Write the facts, keep your opinion out of it, and be a professional.

Bloggers are still getting a bad rap from most of the mainstream media as being an unreliable source of news. And it will be, until we change our reputation and quality of work. That, and when the newspapers all go out of business, and network news is replaced by cable news and, well, blogs.

Until that time, as you grow your reputation and reach as a quality Big-B Blogger, practice journalistic techniques. Read books on newspaper writing (it’s still the gold standard of writing quality and ability), use Associated Press writing style, and study as many newspaper writers as you can.

But most importantly, for the love of God, don’t geek out.

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9 Books That Will Improve Your Writing

Demian Farnworth over at CopyBlogger came up with a list of the 10 Books That Will Transform Your Writing. Ten books, that if you read them, will help improve your writing just by reading some examples of what is good, and then modeling them

A few of Farnworth’s 10 transforming books:

  • King James Bible
  • Barbarians at the Gate – Bryan Burrough and John Helyar
  • Complete Odes and Epodes of Horace
  • Outliers – Malcolm Gladwell

While I’ve only read a couple of Farnworth’s recommendations, I have a few recommendations of my own. These are my own favorite books and the ones I read more than once just to get an idea of how I want my writing to look.

    1. On Writing – Stephen King. I’m not a big fan of writing books and try to avoid them whenever possible. But more than a few writing friends recommended this one. Stephen King talks more about the desires and itch to write, and how he pursued his love of writing, even when he was first starting out. His story is inspiring and makes believe I can be successful.
    2. Fool – Christopher Moore. Really, any Christopher Moore book will do. The guy is a comic genius and knows how to write humor that catches you off-guard and makes you laugh out loud. Moore writes off-the-wall, exaggerated characters who seem so natural in their setting, and their descriptions and his jokes seem so effortless. He doesn’t crowbar anything into his stories, they just flow.
    3. My Beautiful Idol – Pete Gall. Pete is a writer here in Indianapolis, and has such tight writing that, after I read the first chapter, I started working to tighten up my own writing. I typically don’t notice the quality of writing unless it leaps out at me, good or bad. I’m more carried away by the story. But Pete’s writing just grabbed my attention, and made me pay attention to the quality of the words.
    4. My Other Life – Paul Theroux. I read this novella in an issue of Granta, and became a fan of Theroux. I’m not a big fan of creative writing and the emotional angst anyone with an MFA feels compelled to flog, but Theroux is one of the few I actually enjoy. He’s got a mastery of the language that I wish I could reach.
    5. Breakfast of Champions – Kurt Vonnegut. Indianapolis’ son is a world-famous wordsmith whose mastery of the language shines through, even when he’s writing some of the weirdest stuff. While most of his novels are fairly weird, Breakfast of Champions turns the Weirdness amp up to 11 . But even in this opus of oddity, the brilliance of his writing is obvious.
    6. Leaves of Grass – Walt Whitman. The Romantic poet sure knew how to turn a phrase. He and a few other of the Romantic poets are great inspiration when you want to capture the flavor of language, and tap into its rhythm and energy, read someone like Whitman, Burns, or Lord Byron to get the creative juices flowing.
    7. Kitchen Confidential – Anthony Bourdain. I worked in a restaurant for a few months when I first moved here to Indianapolis, and while I didn’t spend much time in the kitchen, I can tell you it’s hot, sweaty, unpleasant work. But Bourdain is able to make it sound glamorous, cool, and even enjoyable. If he can make kitchen grunt work sound fun and exciting, what can you do with your blog with his influence?
    8. The Naming of the Dead – Ian Rankin. You can actually pick any Inspector Rebus novel by this Scottish writer to get a look at what good dialog looks (he’s written 20 Rebus novels alone; he’s written 12 others) like. The dialog is tight, believable, and sounds like real people. I figure Rankin knows what he’s doing, because according to literary legend, Rankin lives on the same street as J.K. Rowling, who lives in a damn castle. If he made enough money to be her neighbor, he must be doing something right.
    9. Fear and Loathing in Las Vegas – Hunter S. Thompson. The man’s crazed drug and alcohol addictions notwithstanding, HST was a brilliant writer in his early days. His writing suffered as he slipped deeper into his addictions, but his earlier stuff was brilliant. It packed all the punch of a Chuck Norris movie, and was as tight as a drum. That’s because Hunter would write a series of ledes (newspaper talk for “lead,” or the opening sentence of a story), and string them together. Rather than having only one punchy attention-grabbing sentence, he had a dozen of them. If you want to add power to your writing, get the early Thompson works. (Fear and Loathing on the Campaign Trail is another recommended read.)

Other writers I could have included, but didn’t — for no particular reason include — Douglas Adams, Dave Barry, Dick Francis. These writers are also great, and worth studying. I like them for their humor (Adams and Barry), and their ability to tell a good story (Adams, Francis). Plus, they all have a large body of work to draw from. Check any and all of these writers out and start learning from them as a fun way to improve your writing.

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Want to Make Your Writing More Vivid? Use Metaphors

If you want to add some life to your writing, to give it breath and a heartbeat, use metaphors. They’re the lifeblood of any vibrant, vivid writing, whether it’s fiction or nonfiction.

I’ve been using metaphors in my writing with great success over the last several years. It marks a significant improvement in the quality of my writing, and I’ve garnered more and better opportunities. Whether there’s a connection between the two, I don’t know.

I’m a big fan of metaphors, and I like them better than similes. From the Greek, metaphora means to transfer or to carry over. It basically carries a comparison from one idea or item to another.

There is one difference between metaphors and similes: similes use the words like or as in them, metaphors do not.

Similes

  • Life is like a box of chocolates. (Forrest Gump
  • There was a great shout like the roaring of an airplane.
  • Similes are like metaphors, but only weaker.

Metaphors

I don’t like similes. They’re weak. They’re the pencil-necked milksop of literary devices. They say things are similar, but not quite that item. Life is like a box of chocolates, but not really.

Take a look at the last metaphor example: “Men’s words are bullets.” That’s a powerful phrase. It doesn’t say they’re like bullets, that they remind people of bullets, or “words can hurt people sort of like bullets can hurt people.” That’s just smarmy, wishy-washy pap.

“Men’s words are bullets,” on the other hand, makes you feel the the emotional damage that can be done by words, feeling the piercing, crashing power of a bullet fired from a large gun.

If you want to make your writing more powerful and add more life to your words, sprinkle some metaphors into your articles and watch what they’ll do for you.