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Three Ways New Fiction Writers Can Promote Their Work With Social Media

How can a writer promote their own work, especially if they are just releasing their first published work? Thanks to ebooks and ereaders, as well as print-on-demand and self-publication, any fledgling writer can publish their work and make it available to the general public.

But how can they get readers before they have even established their writing career? Here are three ways new writers can promote their newly published works to a wider audience than their moms.

1. Find readers on Twellow and Facebook.

Twellow is a Twitter directory that lets you search people’s Twitter bios. Look for anyone who would fit your target readership. If you write sci-fi, look to see if anyone has science fiction or sci-fi in their bio. Chances are they’re fellow writers, but you’ll find a lot of sci-fi fans too.

Check out the Facebook pages and groups too, and start friending and connecting with people in those groups. As you follow the other two steps, they’ll be the people you want to reach out to.

2. Pre-release the book in blog form.

As you’re writing your book, try publishing sections of it on a blog. Invite reader comment and ask them to give you feedback, ask questions, and make any suggestions. Make your changes from the blog and incorporate them into the final manuscript.

You’ll also get readers who start to follow along because they get drawn into the serial nature of the story. Plus, don’t worry about people not wanting buy the book because it’s on the web. There are plenty of people who have written books that were originally posted online first, and went on to great success. They’ll be willing to pick up your book too.

3. Create an audio version of your book.

Seth Harwood released the self-published Jack Wakes Up book as an audio podcast. He would read approximately 45 minutes of the book each week and upload it as a podcast. While that seemed to fly in the face of conventional publishing wisdom, the Jack Wakes Up ended up garnering enough attention that it was then picked up by Three Rivers Press and published.

It’s possible with some publishers that you can keep the audio rights to your book. If you’re self-publishing it, you own all versions, including audio and ebooks. So take advantage of that. Get a decent microphone (I prefer the Blue Snowball USB mic), and start reading it. Don’t launch until you get at least half the book recorded though. It builds in some extra time in case you run into a production delay.

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Who Should Rule, Content or Marketing?

Over on his blog, Nashville writer Jeff Goins questions whether content is really king.

Well, actually, no he doesn’t. he said content is not king anymore. It’s a “fat, dethroned monarch, dis-empowered of his royal ability to influence.”

Janus, the two-faced Roman god, should represent content marketing.

Marketing — or as Jeff calls it, “relationships” — are the true king. Without relationships, without marketing, it doesn’t matter how awesome your writing is.

I used to be terrible at this. I thought all I had to do was be a good writer. But I was wrong.

I was scared. And lazy. I didn’t want to have to actually meet people. I just wanted to write.

But that’s not how the world works. So why would I think for one minute the Web would work that way? Yes, even in real life, it’s not just what you know that matters, but also who you know.

And even in business, the best way to promote an idea, product, or service is relationship. We all know this, because in this day of media saturation, we don’t buy what the ads tell us to buy. We buy what our friends recommend.

If I have to give an edge to either of them, I still side with content. Because hidden content can accidentally be discovered one day. I might write a post that gets picked up by search engines, and I could start being found for that topic.

But I could optimize and promote the bejeezus out of something really awful, and a lot of people could see it, but what do you think would happen if everyone showed up and saw — and said — how awful it was?

Still, it’s not a question of whether content or marketing is king.

Content Marketing Rules

This does not have to be an either/or proposition. You shouldn’t have to choose one over the other. And no, this is not one of those “why can’t everyone just get along” cop-outs that I detest. This is like arguing about whether peanut butter or jelly is more important on a PBJ.

Content and marketing have a symbiotic relationship. One cannot exist without the other. You can have great content, but if your marketing sucks, no one will see your stuff. And you can have great marketing, but if your writing sucks, no one will care.

There has to be a happy medium here. Or at the very least, we have to recognize that Content/Marketing is a two-faced king, like Janus, the Roman god of beginnings. You can’t have good marketing and lousy content, and you can’t have lousy marketing and good content. Without one, the other will die.

Content without good marketing is a private diary. Marketing without good content is spam.

I think once writers realize they need to market, we’ll see a bigger explosion in books and ebooks. And once marketers realize that content is not some throwaway afterthought, they’ll start seeing an explosion in sales and profits.

And if you want to learn how to do both, you can buy Branding Yourself or No Bullshit Social Media to see how.

(See what I did there?)

Photo credit: mscolly (Flickr)

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My Appearance on the Litopia After Dark Radio Show

Last Friday, September 16, I had the pleasure of appearing on the Litopia After Dark radio show with Andi Buchanan, author of the Daring Book for Girls (which has sold 2 million copies, and apparently has a movie deal), and about a jillion other books, and Philip Jones, owner/editor of TheBookSeller.com, to talk about personal branding for book authors.

It was a bit intimidating, because I’ve become a regular LAD listener for about three months now, and they’ve had some heavy hitters on here before. In fact, given Andi’s publishing pedigree and the fact that Philip has a super-mega-giant book publishing news site, I felt like the little kid who opened his lemonade stand next to a Wal-Mart.

But I had a great time. Peter Cox, the host and a literary agent in England, did an awesome job, made me feel comfortable, and made sure everyone had time to talk about their projects.

(You can hear the entire episode — My Wiki Has Go-Faster Stripes — below.)

If you’re a book author, aspiring or otherwise, you need to join the Litopia community at Litopia.com. Given the solitary nature of our vocation, it’s nice to be able to meet other writers who share similar interests, even if they’re in other parts of the world. Litopia makes all that happen.

Via Radio Litopia

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Copywriters, Use the Words Other People Use, Not the Ones You Use

Do you know what audio theater is? Does it make you think of something to do with speakers at a movie theater? Or maybe it’s a subset of home theater equipment. Or maybe you’re supposed to go to a play and shut your eyes.

It’s none of those. It’s what we used to call radio theater. (Or radio theatre, if you’re Canadian or British. Or a snooty purist.)

Decoder Ring Theatre cast
Cast of Decoder Ring Theatre, an audio theatre company in Toronto.

You know what radio theater is, right? Remember when Ralph and Randy sat in front of the big giant radio and listened to Little Orphan Annie? We all know what that is, even the people who only hear about it from their grandparents.

But the people who actually do radio theater want to call it “audio theater” instead. Why? Because people don’t listen to the plays on the radio anymore, they listen to them on CD players, iPods, computers, car stereos, etc.

So in order to be more accurate, they changed the name of the art form to more accurately reflect what it is that they produce.

And lost out on a large portion of their potential audience.

There are still plenty of people who used to listen to radio theater with money to spend, but they don’t spend it on the entertainment form from their childhoods because they don’t know it’s called “audio theater” now. Companies like Decoder Ring Theatre have worked hard to overcome this hurdle by being one of the most progressive and dedicated audio theatre troupes I’ve ever seen, embracing social media and Internet marketing, as well as podcasting. (Full disclosure: Decoder Ring Theatre produced and aired six of my Slick Bracer radio plays this summer.) But a lot of other companies have only seen a fraction of this success, and I believe it’s primarily because of this language disconnect between what is “correct” and what is “best.”

How many times have companies harmed their marketing efforts by insisting people call a term by what they want to call it, not what the customers want to call it? How many times have government agencies lost the respect and credibility they worked for, because someone who knows nothing about public communication insisted the agency use the accurate term, not the best term? How many news programs get laughed at because they try to change the commonly accepted term to something that better suits their political biases?

  • An agricultural equipment company I know calls its products by the term they want to use, rather than the more common term their customer uses. This is evidenced by the 1,200 Google searches for their term, and the 20,000+ searches for the common term. While they may rank well for their chosen term, they don’t rank at all for the term their potential customers are using nearly 8 times more often.
  • When the H1N1 epidemic flu first started, the public was calling it “swine flu,” but the media managed — with a lot of work — to get people to start calling it H1N1, because it was harming the pork industry. But the government agencies wanted to call it the human flu, and flu pandemic. Regardless of what they wanted to call it, the media ignored them
  • Fox News’ insistence on calling suicide bombers “homicide bombers,” as per the Bush White House, made them a laughing stalk among journalists and news watchers.

If you’re not sure whether people are using your terms or theirs, go to Google’s Keyword Tool and put in your term and any industry terms you can think of. See which terms have the most global (worldwide) searches and the most local (US) searches. The ones that win are the ones most people are using, and the ones you should be focusing on.

Update: Deleted “Audio” from “Decoder Ring Audio Theatre” above, because despite being a loyal listener for 5 years, and now a contributor, I still can’t get their name right.

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My Keynote Talk at Blog Indiana

Last month, I got to do something I’ve wanted to do for the last four years: give a keynote speech at Blog Indiana. While it wasn’t my first keynote, it was going to be a special one because I had been attending Blog Indiana since it started. In fact, I think I have given more talks than anyone at the history of Blog Indiana, mostly because one year I not only gave two talks, I gave them twice.

But this was going to be the big one, the one I had hoped for when I first started bugging the organizers about it two years earlier.

I also knew I needed something new to talk about. Something that went beyond my typical 10 Secrets for Promoting Your Blog or 10 Ways to Build Your Personal Brand.

The t-shirt, courtesy of ooShirts, says "Eschew Convoluted Phraseology." It means "avoid big words."

So I decided to focus on writing as my topic, but because I can never get away from 10 Secret Anythings, the topic was 10 Secrets I’ve Learned in 24 Years of Writing.

I’ve spent the last 24 years writing just about anything you can think of: books, newspaper columns, web copy, brochure copy, technical manuals (I hate these with a burning passion, by the way). I’ve written stage plays and radio plays. I’ve even written speeches for a US Congressional campaign.

And in those 24 years, I have learned that it’s the language that’s most important, and how you use it. It hasn’t been the experience, the knowledge of the industry, or whether I have experience with a certain type of writing. It’s whether I have a good grasp of how to use language effectively.

So I talked about important aspects of writing that have defined my own writing career — focusing on one aspect of writing you want to improve, and then doing it everywhere; know when you can, or even should, break the grammar rules; and, not to let your love of your words get in the way of good editing and improvement.

I even dropped the F-bomb in my talk to illustrate how words that represent the worst of what we do — like killing and torture — too casually, as in “my feet are killing me” and “traffic was torture today,” but the word that describes how the best thing we do — make other humans — is an awful word that is horrible to say.

I even had a special t-shirt made for the occasion, thanks to the generosity of ooShirts, who gave me a couple shirts as part of their promotion. So I got a writing related shirt that said “Eschew convoluted phraseology,” which is the ironic — some might say snotty — way of saying “avoid big words.” I also got a second one to give away, which Brooke Randolph won by being chosen by random after sending out a special tweet.

I had a great time speaking, and have finally achieved my goal of giving the keynote at my favorite conference. Thank you to everyone who was there, and for the kind words during and after the talk. And special thanks to Shawn Plew and Noah Coffey for allowing me to speak.

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When “No Bullshit Social Media” Showed Up At My House

The last time I was this excited about opening up a box was last December, when I opened a box filled with copies of Branding Yourself. The first thing I did was call Kyle Lacy and congratulate and thank him.

This is one of the most beautiful sights I've ever seen.

This time, when my copies of No Bullshit Social Media showed up, I called Jason Falls to congratulate him, and had to leave him a voice mail message.

There comes a time in every writer’s life where publishing blog posts aren’t enough, and they have to resort to the printed word in newspapers and magazines. Or plays. Or speeches. Then, there comes a time when those aren’t enough. Then, it’s books. Self-published, vanity published, collections, and even big boy really-and-for-true publisher books.

Writing is a drug, and blogging is the gateway.

There is no greater high to a writer than to see his or her own name on the cover of a book that they didn’t have to shell out $2,000 to have printed.

I have a lot of people to thank for giving me that opportunity: our editor, Katherine Bull, who I fooled believed in me, and was willing to put up with Jason’s bullshit quirky mannerisms; Leslie O’Neill, our development editor, who made our book awesome; Brandon Prebynski, who made sure everything in our book was correct and really worked; my business partner, Paul Lorinczi, who kept me on track at work, and made sure I had the mental bandwidth to get everything done; and, my wife, Toni, who helped me keep a writing schedule and still find time for the family, and made sure I got at least 4 hours of sleep a night.

This is a momentous time for me, and I have not felt this proud since, well, last December. I appreciate everyone who helped me accomplish a writer’s dream for the third time. I appreciate everyone who has shared their knowledge with me over the years to make me the kind of person who could write a book like this. And I appreciate everyone who will buy the book, and maybe make it a best-seller (secret goal #4).

Will there be more books? Yes. Do I know when or what subject? No. Will they have a curse word in the title? Probably not. But I’m sure going to try.