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If Your Local Government Doesn’t Hire Your Company, That May Be Your Fault

I get pretty pissed when I hear stories of how my city or state government spent thousands of dollars on out-of-state consultants, when there are outstanding companies right here in Indiana.

For example, the city of Fort Wayne, Indiana spent $72,000 on a social media consultant from Chicago, when one of Indiana’s best social media consulting firms is less than 10 minutes from the city building. Talk about job creation: in Fort Wayne, that could have easily created 1 – 2 jobs for young social media marketing professionals. Instead, the money was sent four hours, one state, and one time zone away.

I was listening to an episode of Douglas Karr’s Marketing Tech Radio show on Blog Talk Radio, where he and his guests were discussing how local and state governments, and even large companies, ignore home-grown talent in favor of out-of-state consultants. Sending our tax dollars out of state hurts our local economy because those contracts could mean new job creation, which means more tax revenue, and so on.

So why aren’t governments and larger companies hiring local companies to do the work?

Is it the elitism that says hometown talent isn’t that talented? Is it the hometown curse? Is it that the government decision makers are looking to flex a little muscle and feel more powerful?

Or is it the local companies’ fault?

Not to disparage my fellow small business owners, but sometimes if we’re not being hired by our local companies and governments, that’s our own damn fault.

It’s our fault because they didn’t know we even existed. It’s our fault because we never talked to our local governments and big companies. It’s our fault because in all of our networking and back-slapping, we didn’t realize we were networking with other small businesses, and not the real decision makers in the government or the corporations.

That’s not to say the big organizations are absolved of all blame. I mean, a simple Google search that includes your city or state will show you whether there’s a local company that can do the work. If you want a web design company for your Evansville business, Google “web design Evansville” and you’ll find bushels of them.

(And shame on any company or government body that doesn’t actively seek out local companies to do the work for them. Don’t make up some lame excuse about how you wanted a web designer that has government web design experience, or needed a marketing agency that specializes in statewide tourism, not local tourism. The truth is, you couldn’t be bothered to look.)

But while we can point fingers at government and corporations, and blame them for being lazy and unmotivated, the local companies need to share in the blame.

If a particular government agency doesn’t know you exist, did you even tell them about you? Did you meet with the decision makers in a particular agency? Have you added them to your e-newsletter list? Do you invite them to your industry events? And, most importantly, did you respond to the agency’s RFP? If you never filled one out, then of course they’re not going to hire you. As mind-numbing and aggravating as these rules are, they do exist, and you can’t fight them.

I spent most of the day at the Minority and Women’s Business Enterprise Central Indiana Resource Fair. It’s a day-long series of workshops to encourage small minority-owned and women-owned businesses to apply for government contracts. Apparently there is something like $3 BILLION in government contracts in the state of Indiana alone. And in some cases, the contracts go unfulfilled because no one applies for them. So the state has taken the initiative to ask these MWBEs to please PLEASE PLEASE apply for these contracts.

Applying for an RFP is not rocket science. It’s not that hard. Truthfully, it’s mostly bureaucratic busy work. Having served on a couple RFP committees when I was at the State Health Department, I can tell you that they’re tedious and boring, and a 20 page proposal is usually 18 pages too long. But, the contracts get awarded to the companies that suck it up, deal with the tedium, and submit the proposal.

There are government websites and email newsletters that tell you when RFPs are available. All you have to do is register and fill them out. Don’t wait until the winning bid has been announced before you whine about the out-of-state company getting the contract. They filled out the RFP, and you didn’t.

There are real people who work at these large companies and government agencies. They have phones and email addressess. All you have to do is call them and meet with them to tell them what you do. Don’t wait for RFP opportunities to come up, do it beforehand.

Look, if state and local government want to stimulate the local economy, they would do well to leave the building once in a while, and point their web browsers to something other than their own websites, but they sometimes can’t. I worked in state government for a year-and-a-half, and while it was never said outright, we were discouraged from associating with people from the private sector. The same is true with a lot of corporations. If it wasn’t invented there, they think, it must suck.

Government and corporations need to get over themselves and actually learn about their business communities and see what resources are available within a 20 minute drive of their office, rather than sending our tax dollars to high-dollar consultants.

But if local businesses want to get those government and corporate contracts, we would do well to skip the same old networking events and actually call up people from our government and big companies, and invite them to lunch. Attend their events, or better yet, invite them to our events. Let them get to know the local landscape, and be the one to help them navigate it. (Trust me, they’ll remember you if you help them out.)

In the end, both parties bear equal responsibility for this problem, and need to contribute equally to its solution. But someone needs to go first. Will it be you? Or will you just wait to see if your phone starts magically ringing?

Photo credit: Fotofisken

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Everything I Need to Know About Personal Branding I Learned From Mr. Rogers

I’m a huge Mr. Rogers fan. I try to live my life by what I learned when I was five years old.

I’ve often been accused of being a little too optimistic, too naive, or too pollyanna-ish. Personally I don’t see a problem with that, since the alternative is to be a pessimistic jerk. It doesn’t take any more effort to treat someone with respect.Mister Rogers and Daniel Striped Tiger

I watched Mr. Rogers with my kids — and sometimes alone in my hotel room when I was traveling and away from them — and decided to model my own personal branding mission based on what Mr. Rogers taught me when I was a kid, and what he was teaching my own kids.

So everything I need to know about personal branding, I learned from Mr. Rogers.

You Are Special

Leo “the hug doctor” Buscaglia once said that you should treat everyone like they’re hurting, because they probably are. Mr. Rogers said he tried to treat everyone as if they were lovable and wanted to be loved. My goal is to treat everyone as someone special, because 1) they are, and 2) I will never know who will become someone significant later in my life.

My whole career growth in the last few years can all be traced back to one friend I met over 17 years ago, and lost track of. We met each other again six years ago, and that chance discovery online resulted in me moving down to Indianapolis in 2006, and eventually becoming a business owner. If I had written Darrin off, or never treated him as someone special, I might never have ended up in Indianapolis. And you might not be reading this blog post.

It’s YOU I Like

“It’s not the clothes you wear, it’s not the way you do your hair.” I like you, not for what you can do for me, but for the person you are. I don’t care what you do for a living, I don’t care how much money you have. Remember, you are special. Not your job, not your clothes, not your car. I couldn’t care less what you do, wear, or drive.

Won’t You Be My Neighbor? (It’s a Beautiful Day in the Neighborhood)

I love community. I love the sense of community I get with people in my town, people in my favorite neighborhood, people in my industry, even people in my online networks. And I’ll reach out to as many people as I can in those different communities to help my network grow. I’ll even bring people from one community to another.

I meet with people in my industry at my favorite coffee shop in my favorite neighborhood. I invite people from my town to industry events. By cross-pollinating these communities, I can create one big network of awesomeness.

There Are Many Ways to Say I Love You

I’ve been listening to The Go-Giver on CD lately, and I’m getting ready to listen to Linchpin a second time. Listening to these two books, I’m reminded that my success doesn’t come from taking from others, it comes from serving them (something else my friend Darrin taught me). The more I can do for people, the more that will be visited back upon me. We talk about this idea quite a bit in Branding Yourself (affiliate link), where we discuss the idea of Givers Gain. Givers Gain says you earn more by giving more. I can say “I Love You” by serving you in the ways that you need. Getting you to give me something doesn’t say “I love you,” it says “I see you as a means to an end.”

You’ve Got to Do It

Social media is not one of those quick fixes, no matter how much we want it to be. You can’t write one blog post, send one tweet, or like one page to find success. You need to do it over and over again. And when you’re tired of doing it, you need to do it some more. It’s hard work, it takes time and energy, but it’s going to pay off in the end. “And when you’re through, you’ll know, you did it.”

Any kid who grew up with Mr. Rogers will remember these songs and the lessons he taught us. But just because we grew up doesn’t mean these lessons have become less important, or don’t apply to us now that we’re older.

If you want to make a difference in someone else’s life, and your own, try treating people like they’re special, like you like them just for them. Invite them to be a part of your community. Show them some love. And stick with it, doing it again and again.

You’ll love the end results, but if you don’t get exactly where you want to be, that’s okay. I’m proud of you.

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Three Ways to Overcome Presentation Technology Hiccups

You’re setting up for your presentations, the room is filling up, and Bzzzzzz — the projector isn’t working.

Crap!

The presentation you and your friend have spent a few hours working on is down the toilet, because your computer and the projector aren’t talking to each other. That happened to me and my friend, Dana M. Nelson, as we were getting ready to speak to the MWBE Central Indiana Resource Fair.

Erik and Dana speaking about social media and personal branding. This is the only photographic evidence we have.

We plugged in my computer — I always insist on using my Macbook, because it “always” works — but the projector wouldn’t detect it. Cords are plugged in properly, and everything should be running, but no dice. We plugged in Dana’s computer, and nothing. Hers is a Windows machine, so we decide to blame the projector, and go on with the presentation.

“We weren’t going to talk about a lot of tools today,” we tell the crowd, “but you still may want to write stuff down.”

Dana and I have given enough presentations that we were able to unplug the projector, shut it off, and just start talking. The facility staff brought in another projector about halfway through, and we managed to plug it in while we were talking. But it wasn’t even necessary. How so?

Here’s why and how we were able to manage our presentation so easily, despite not being able to show the gorgeous presentation we had worked so hard to create.

1. Don’t use a lot of text on your slides.

This is a given anyway: if you have more than 5 – 7 words on a slide, that’s too many. Keep your text limited to headlines with a large photo that takes up the entire background. Remember, people are there to see you speak, not read what you wrote. If they wanted to do that, they would read your blog. They’re there to watch you.

If your presentation relies on those visual elements and will fail without them, then you’re not speaking, you’re reciting.

Our slides only had headlines, so we just used my laptop as a reminder of what we were going to talk about next. And since the slides were basically functioning like bullet points — “Social media is not about selling” — we could talk for several minutes about that point without ever having to refer to any other words on the screen.

2. Don’t rely on online technologies for your presentation.

That means don’t create online Prezi presentations and leave them up there. It means don’t upload your presentation to Slideshare and assume you’ll access it through someone else’s computer. It means don’t include embedded YouTube videos hoping they’ll come through on your slide deck.

Basically, if you think you’ll need wifi to give your presentation, change it. Download your Prezis, copy your slide deck to a USB stick (export it to PowerPoint if you’re running Keynote for Mac), and download your videos. (I hope it goes without saying not to download copyrighted material.) Try to run everything off of your own laptop, not over wifi. Apparently there were some issues in getting the wifi to work in our area, so if we had depended on it for our own presentation, we would have been dead in the water, not even able to access the deck so we could remember our 10 secrets.

3. Know your stuff cold.

Dana and I have been speaking about social media for more than three years. We know this material so well that we could just start talking about it at the drop of a hat. Scramble up our slide deck, and we could have gone on without batting an eye. But that comes with talking about social media and personal branding for years.

If you don’t have the luxury of having years, or even months, of experience, then start studying for your next presentation. Write about the different points of your material, especially on a blog. Discuss it over lunch with friends. Tell them about the subtle nuances of a particular topic. Say your presentation out loud in the car to and from work. And then write about everything some more. Boil everything you want to throw on a single slide down to those five words, and then learn 3 important points about that particular concept.

If you can recite this information cold, it won’t matter if your projector is working or you can’t get wifi. All you need is your laptop and your slide deck so you can use it to keep your place in your presentation. If you don’t have that, write your main points out on a piece of paper and work from that.

As long as you prepare for things breaking down and you know your stuff cold, you’ll give a killer presentation, regardless of what may happen.

Photo credit: Kyle Lacy (Instagram). Thanks, Kyle!

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Import Your LinkedIn Contacts to Google+

Everyone is so worried about getting their Facebook contacts into Google+. That’s the wrong way to go about Google+.

Given that most of us who are on Google+ are social media power users, chances are we’re looking for another social networking tool that will benefit us professionally. And while we may be Facebook friends with our professional contacts, LinkedIn is the real professional social network. LinkedIn also keeps any contact information like cell phones and websites, so this is going to be valuable anyway.

So, why not instead import your LinkedIn contacts into your Google+ contacts? Here’s an easy way to do it.

    1. Most importantly, you should have a Gmail account. If you don’t, get one. Google+ will delve into your Gmail contacts to see who you interact with the most, and suggest those people for your Circles.
Export your LinkedIn Connections as a .csv file to import into your Gmail Contacts.
  1. Log in to your LinkedIn account, go to your Connections page, and Export your connections.
  2. Choose any format you’d like, but the .csv (comma separated value) is your best bet. Save this file to your desktop.
  3. Go to your Gmail Contacts window, and select Import from the More Actions menu. Locate your .csv file, and import it.
  4. Google will merge any contacts that already match, saving you some duplicated matches. However, Google isn’t perfect, so you will need to go through and find/merge a lot of your contacts by hand. It may be tedious, but it will be worth it in the end.
  5. As an added bonus, export your Gmail contacts and reimport them into your LinkedIn account. This will then sync up your two networks. And since Gmail is the one email program that most social networks use to “find your friends who are on this network,” having your professional LinkedIn contacts can help you build any new networks you join quickly and without all the fluff and unnecessary crap that Facebook brings with it, like your Farmville and Pirate Clan friends.
  6. Jump back over to Google+ and start adding people to your circles. Start with the ones that Google+ recommends, and then begin searching for the people you want to add to your Circles.

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Cancelled Soap Operas Take to the Internet. Is This The End of Broadcast TV?

You thought they were dead, but they were just in a coma. Or it was the evil twin. Or maybe it was a dream sequence, but the two once-dead soap operas All My Children and One Life to Live will find a new life online.

Soap operas are so named because soap companies first sponsored radio theater drama programs to housewives in the early days of radio.
According to a Gizmodo article, the two ABC soap operas, which were killed by the network this past spring, are going to be made available online instead. ABC has licensed both shows to Prospect Park, a production company that “promises all the shows will be just as long and just as ‘high quality’ online as they were on TV.”

While Casey Chan, the Gizmodo author, doesn’t “imagine soap opera watchers to be particularly good at using the Internet,” I think it’s a gutsy move, as opposed to moving to a cable network, like USA Network or WGN. I wonder if this could be the beginning of the end of broadcast television as we know it. Will more TV shows start migrating online? Will the “critically acclaimed” (that’s TV talk for “awesome show, sucky ratings”) shows find new life online, while regular TV is left with the same tired old clichéd dreck we’ve watched since 1983?

While I don’t know whether most soapies (soapers?) will have the ability to watch their favorite soaps online, I think this could be a great reason for them to start. And if they were smart, advertisers like Best Buy or Dell and cable companies would take advantage of this opportunity.

For example, Best Buy or Dell should run commercials during these soaps that say “you don’t have to miss your favorite soap. We have a laptop just for you.” Call it the One Life to Live or All My Children package — build it with enough RAM and a big enough processor, easy-to-use wifi, and a browser that comes preloaded with shortcuts to the OLL and AMC streaming sites.

After I heard the news, I was talking with our new intern, Cody (@CAustinMiller), about the possibilities, and we thought of all the possibilities this venture held for Prospect Park.

Production costs are greatly reduced

A typical TV show is shot on giant TV cameras, which are easily $100,000 dollars a pop. But this year’s season finale of House was shot entirely on a Canon 5DmkII digital camera.

One of those cameras (body only) is $2,500. Lenses are several hundred to a few thousand dollars apiece. Similarly, the web series Odd Jobs is shot entirely with a Canon 7d ($1600 + lenses).

Imagine shooting an entire show for a fraction of the cost of a single TV camera. Since very few people are watching an Internet-only TV show on HD plasma TVs, the need for giant cameras is reduced.

Better video equipment means better story settings and language

If you’ve got these small handheld cameras, imagine shooting some scenes outside, without worrying about a sound stage and all those cables and production crew. A boom mike, digital audio recorder, and a digital camera, and you’re all set.

And you’re no longer bound by studio Standards and Practices people who say you can’t use certain words on television. Want to drop the F-bomb? Fire away. Want the s-word? Let ‘er fly. Online means you can say whatever you want without S&P dropping the hammer on you. (Of course, you have to make sure you don’t offend your audience.)

Advertisers can reach targeted audiences

This is worth a blog post in itself. Imagine these scenarios:

  • To watch the shows, users have an account where they provide some basic demographic information: age, sex, race, location, income, family status, etc. Show producers can go beyond providing basic demographic info to their advertisers — “we think it’s mostly white women between the ages of 25 – 45” — and provide actual counts and percentages.
  • Thanks to today’s web technology, advertisers can deliver specific ads to specific people watching on specific browsers. Send diaper ads to new mothers, life insurance ads to women in their 40s, and luxury car ads to people who make a certain amount of money. Go read up on Facebook advertising for more ideas on how this works.
  • Advertisers can offer special coupons and codes during the show. These ads and coupons can even appear in a sidebar in the browser window. These can all be based on the viewer’s demographic information.
  • Marketers can then track click-throughs and follow the visitor’s path all the way through to the contact page or purchase page. They can determine that X number of people ordered our product while they were watching All My Children at 2:37.
  • I just had a EUREKA! idea: Put a shopping cart right in the browser sidebar window. When a small product is advertised on the show — say, the latest Danielle Steel novel — viewers can fill out the shopping cart without ever leaving the viewing window, order the book, and have it shipped, all during the show. It’s the ultimate in impulse purchasing.
  • Product placement is much easier and less expensive for marketers. Since the production company can call the shots without having to involve the network executives, they can sell product placements for a fraction of the cost of TV spots, but make a bigger piece of the pie.

Sell subscriptions to the shows

This is a chance to test the loyalty of the shows’ viewers: sell monthly subscriptions — say $2.99 per month — to viewers for ad-free episodes. Otherwise treat each episode like a regular TV episode: splits in the shows where they usually happen, with 2 – 3 minutes of advertisements. But monthly subscriptions can also offset production costs and help pay for the episode. If enough people opted for the monthly subscription, it may also show advertisers that viewers don’t want ads, which means they have to be more clever in how they reach those viewers: more product placement, sidebar ads, etc. This could also help the production company find new revenue sources as advertisers scramble for a way to reach this now-clearly defined audience demographic.

Crowdsource the writing

Many years ago — and I can’t remember when or what show — viewers got to vote whether a certain character lived or died. They called in, cast their votes, and the story unfolded to the majority’s wishes. Now, imagine having an online poll that allows viewers to vote on a particular storyline. Does Trent live or die? Is Ashlyn’s evil twin really Ashlyn? Does Trent marry Ashlyn?

It’s one more method of interaction, and one more way to keep viewers involved and coming back. Maybe they could even shoot two endings to a storyline or episode, and let the viewers vote for which ending that gets shown. As a bonus, let people watch the ending that didn’t get aired after the episode is over. Again, more interactivity, more content for viewers to consume, which keeps them coming back.

I’m really excited to see what sorts of developments will come out of this new deal (not enough to watch soap operas, mind you, but still, fairly excited). Prospect Park has said they will begin airing All My Children online starting September 26, after it makes its final TV appearance on Friday, September 23. I’ll be interested to see what kinds of ideas they come up with, and whether the Internet may be a great new frontier for TV shows that can’t survive the picky whims of studio executives who worry more about ratings than actually showing good television.

Photo credit: Wellcome Images (Wikimedia Commons, Creative Commons 4.0)

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People Who Predict Failure Don’t Add Value

I’m tired of people who predict the failure of some new tool before it ever even gets off the ground. They’re cowards, doomsayers, and nattering nabobs of negativity. They don’t actually provide any real value, or anything I can use. They’re like the petulant child who automatically says “Nope. Won’t do it. Don’t wanna” to anything her family suggests.

It’s not hard to predict failure. It doesn’t take any courage, special intelligence, industry expertise, or a crystal ball. You’re not going out on a limb by predicting something will fail. You’re not offering an opinion that runs counter to 99% of your industry. Given the number of attempts at anything that fail, and you’re going to be right more often than you’re wrong. That’s why it’s such a cheap win.

Oh sure, you get to look like you knew what you were talking about when it happens. But the odds are in your favor, as with any startup. It’s like predicting the hitting success of any major league ball player. If you predict an out every time he comes up to bat, roughly 7 – 8 times out of 10, you’ll be right. But it doesn’t take a baseball genius to know that a batter is going to miss 75% of the time.

It takes a pessimistic jerk to say, “he’ll fail this time. And this time. And this time too. And — oops, I was wrong about that one. But I got the other 6 times right.”

The real courage doesn’t lie in predicting failure, it lies in showing success. Talk about what this new tool can do, how it can help people, and where you can see using it. Saying where it fails doesn’t take any creativity.

I’ve seen this lately with all of the Google+ users who whine and mewl that it’s going to fail, or that it doesn’t do certain things, or that it isn’t Facebook, or that Google’s past forays into social media have failed.

Blah blah blah.

There’s no courage in finding fault or criticizing. There’s nothing valuable in predicting that something will fail, and then reciting the same tired litany of faults that you read on some other blog post, or drawing the same tired comparisons to Facebook. They complain but they don’t offer solutions.

You want to do something cool? Tell me what’s awesome about it. Tell me the things this does or has the potential to do. Chris Brogan impressed a hell of a lot of people with The Google+50, which became his most trafficked blog post ever. I may not read Chris Brogan that often, but when I do, it’s because he’s telling me something useful, not why something will/should fail.

I think people who spend most of their time criticizing and finding fault aren’t actually contributing anything of value. They aren’t doing anything useful. They’re the failed restaurant chef who became a food critic. The failed musician who became an agent. The failed teacher who became an administrator.

If you want to be useful, if you want to be valuable, contribute to the success of something, don’t complain. Show why something is cool. Better yet, create something cool. But do something that’s worthy of you and your time. I already think you’re awesome, so show me.

Photo credit: ougenweiden (Flickr)