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LinkedIn Etiquette: No, I Don’t Want What You’re Selling

As I connect with marketers on LinkedIn, I’m reminded about what Gary Vaynerchuk once said about high school kids and relationships.

They’re always trying to close on the first date.

I’ve lost count of the number of people on LinkedIn who wanted to connect with me, only to turn around and immediately email me with whatever they’re selling.

It’s happened to me for nine years, and I can tell you exactly how many people I’ve responded to with any interest: zero.

While I’m not an avid LinkedIn user, I do check it a few times a week, respond to non-sales messages, and will even reach out to a few people for connections.

But I hate it when people I’ve never met try to sell to me on something I never said I needed.

I mean, maybe if I expressed some interest in a particular service, or I publicly lamented about a problem I was having, then I might be interested in what these marketers and salespeople have to say. If I say I hate WordPress because it’s so hard to figure out, or if I gripe that managing my accounts takes too long, then I would expect to hear from WordPress designers or accountants.

(By the way, I’m good on WordPress and accounting. No problems there.)

But when they contact me about their web design, mobile app design, or SEO services, it’s clear they never even read my website, let alone my profile.

When they DM me on Twitter — “Hi, , thanks for connecting! Here’s a free ebook I wrote, which has nothing to do with anything you do for your job!” — I write a similarly-worded message, and invite them to visit my own humor website. I even told a few I would be willing to listen to their sales pitch if they did it. I rarely get a response, which makes me wonder if they read their DMs.

While some people over-connect on LinkedIn, trying to amass as many connections as they can, I take a more reserved approach. I’ll reach out to people I’ve met before, and connect with them. However, I’m less reserved when it comes to accepting connections, because I don’t know if any of them are readers or have bought one of my books. Rather than appear rude, I’ve accepted the connections, only to get a sales message less than 12 hours later.

The Facebook Problem

The problem is easy to identify on Facebook. I think we’ve all gotten these messages. Depending on your gender, a young woman or young man with only two photos on their profile will send a friend request. They’re not in your friend network, except for maybe one mutual friend. Their profile only has one or two photos, slightly sexy, but not overly provocative. And you have no idea how you would know this person.

You only have to accept a couple of these to realize this is some form of spam. The account either changes to porn, or you’re bombarded with private message communication requests. After a couple of these, you learn to ignore friend requests from anyone who does not know several of your friends of both genders.

(Helpful hint: Guys, it’s a telltale sign — and also a little creepy — when a 20-something woman’s only friends are men in their 40s and older.)

We have the same kind of problem on LinkedIn. So many people fail to change their “I’d like to add you to my professional network on LinkedIn” message that most people just accept it. I used to be more picky, and would only accept people who had updated their message. But I decided I was fighting a losing battle, and gave that up.

As a result, I fall prey to every salesperson who’s using LinkedIn to scope out their next cold call. Rather than trying to build a relationship or gauge my interest, they’re immediately pestering me for phone meetings and conference calls.

An accepted connection on LinkedIn does not mean I want to be sold to, especially when that’s the first communication I get from you. Not even a “hi, thanks for connecting.” Just a “Hi, we provide the identical service hundreds of other people have contacted you about.”

If you truly want to become a potential partner or vendor, take the time to gauge my interest and my needs. Provide me with useful information that will help me do my own job better and make my life easier. Share information, provide valuable content, and prove yourself to be someone who’s smart, knowledgeable, and capable of doing what you claim.

Don’t try to sell me in your very first communication. That’s a guaranteed “No.”

Photo credit: Carol Highsmith (Wikimedia Commons, Library of Congress, Public Domain)

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Why I’m Decimating My Twitter Account

Last year, my friend and co-author, Kyle Lacy, pissed off thousands of people when he blew up his entire Twitter account, unfollowed nearly everyone he was following, and then slowly started following back the essential people.

I never noticed.

My Twitter was so full of junk and noise that I never noticed that he re-followed me. (He did! I checked. Shut up.)

Kyle’s problem, he told me, was that he was following so many people — close to 60,000 — who weren’t saying anything useful, it was clogging up his Twitter feed. He also admitted — reluctantly — that he hadn’t properly used Twitter lists to keep track of different groups of people.

So his only option was the nuclear one.

Thousands of people unfollowed him, upset that he unfollowed them, and he’s only following 1,500+ people right now. But he’s got a better handle on his Twitter feed than he’s had since he joined in 2008. He had over 50,000 followers, and he’s now down to 36,000+.

I’ve been thinking about Kyle’s nuclear option lately, especially as I’ve been looking at my general Twitter feed each morning, and it’s filled with noise, chatter, and completely useless garbage.

It’s motivational quotes, reminders to download a new ebook, more motivational quotes, invitations to webinars, articles about how high achievers who are not me achieve greatness, a #hashtag #filled #tweet, the latest Mashable article, and more motivational quotes.

The signal-to-noise ratio on Twitter is terrible. It’s like trying to find a radio station in the middle of the desert. There’s a lot of static, but no music.

It’s gotten worse as Twitter changed its algorithm, expanding on their “While You Were Away” feature. They want you to see the tweets they think you will appreciate.

I don’t. These new tweets are all terrible. All of them. (Except for @VeryLonelyLuke. That guy’s hilarious.)

So how can I reduce the noise? How can I restore some semblance of usefulness to my general Twitter stream?

Checking under the hood: I think I see your problem

I plugged my Twitter account into ManageFlitter to see if I could figure out the problem.

The problem was a whole bunch of people with between 50,0000 – 1 million followers, evenly split between people who were following me and not following me. There were about 3,000 people out of the 14,000 people I was following.

I even hid verified accounts from the mix, so I wasn’t including celebrities or news organizations.

What I was left with were the self-published authors and social media “experts” who yo-yo follow others to artificially inflate their accounts.

“Filthy rotten spammers” (FRS), as I like to call them.

FRSes will follow thousands of people, get a few thousand follow-backs, then unfollow everyone, and start all over. They do this to get past Twitter’s follower limit and grow their accounts by leaps and bounds.

You can easily spot an FRS: they have 50,000+ followers and have written a surprisingly small number of tweets.

This is how you can spot a Filthy Rotten Spammer on Twitter.

The worst are the ones with more than 100,000 followers, and 150,000 tweets. These are the people who spend a few hours every day retweeting all the crap they find in their own Twitter feeds.

Seriously, some of these people send nearly 100 tweets in a day! When I checked their stream, it was retweet after retweet, with the occasional “You’re welcome!” sent to someone who thanked them for the RT. As if the FRS had done them a huge favor.

Pruning and trimming: Seeing some progress

With ManageFlitter’s help, I started unfollowing the people in the 50K-1M range who weren’t following me back.

I realized I had followed those people because they followed me first. I could tell, because as I moused over each name on ManageFlitter, their bio popped up, and I could see they weren’t someone I would normally reach out to first.

(Trust me, I don’t eagerly follow people offering yoga and vegetarian-eating tips unless we’re already friends.)

I unfollowed nearly 1200 people in an hour. I could have gone faster, but I did want to make sure I wasn’t unfollowing people I actually found interesting.

However, this wasn’t all the FRSes. I checked my Twitter feed again, and there was still a lot of crap in my stream. It was better, but not great.

I showed all the people who were following me, sorted by number of followers in descending order, and excluded all the verified accounts. This hid accounts for CNN, the New York Times, and Alyssa Milano er, I mean, Colts punter Pat McAfee. (Alyssa Milano loves baseball. Shut up.)

You can use these filters on ManageFlitter to hide people you may actually want to keep.

With this new list, I found another 500 or so people I could eliminate. Problem is, I hit ManageFlitter’s 1700-unfollowers-in-a-day limit, and have to wait for 24 hours to finish the job.

For $12/month, I get unlimited following, plus all kinds of other features, including creating white lists of high-value accounts, integrate and manage my Twitter lists, and various analytics capabilities. But I’m going finish this experiment first before I commit to it.

Initial results: Prognosis good

After my initial pruning, which took about 90 minutes, I could already see a difference in my Twitter stream. I rediscovered some old Twitter accounts that I hadn’t seen in months, including Doug Bursch, Cathy Day, and a few others.

While I’m not exploding my Twitter feed like Kyle did last year, I am going after large chunks of it and pruning off a lot of deadwood in the hopes that my network will yield a whole lot more signal than noise.

While Twitter will no longer be the conversational tool that it once was — thanks a lot, marketers and filthy rotten spammers! — it will at least be a whole lot more useful to me than it was just a few days ago.

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#Ferguson Shows Why Citizen Journalism Is Still Critical

If you’ve been keeping up with the news from Ferguson, Missouri, chances are a lot of the updates and photos are coming from individuals who aren’t journalists, posting live video feeds from their cell phones. When members of the traditional media were being arrested by the police, and the cable news stations were all kicked out or, in the case of Al Jazeera Television, fired at with gas grenades, it was often the alternative news sources and citizen journalists who fed us new information and updates.

I spent most of last Friday night, as well as last night (Monday), following what was happening in Ferguson through a variety of Twitter users, including Vice News, Alice Speri, Ryan Reilly, and Adam Serwer, as well as alderman Antonio French (who was arrested Friday night), his wife @Senka, and several LiveStream, Ustream, and Vine users. That’s not to say the mainstream media wasn’t there — they were. But on that first night, most of the video footage and images they replayed over and over on CNN were coming from people uploading them from their phones to Twitter and Instagram.

 

I won’t rehash what’s been happening this week — the militarized police response, the protests, the tear gas and the flash grenades. The fact that you know about it at all is thanks to the mainstream media, the alternative and non-traditional media (Huffington Post, Vice News, Freedom of the Press), and citizen journalists. (Update: The police kicked nearly all the media out of the area at 12:00 am CDT, often pointing guns, firing tear gas, and threatening to arrest them. One journalist, Tim Pool, allegedly had his press badge ripped off his chest and told by a police officer, he “didn’t give a shit.”)

Citizen journalists can range from anyone with a Twitter account and a cell phone to an independent news organization as complex as a large blog or an online news website, like The American Reporter (disclosure: I’ve been the humor columnist for the American Reporter since 1997). And anyone with that basic technology can record and disseminate news on a micro scale, or have your content seen around the world by tens of thousands of people.

While the term citizen journalists is often spoken with air quotes around that second word, especially by professional journos, they still play an important role in getting out early information. Ever since George Holliday recorded the Rodney King beating in Los Angeles 20 years ago with a Sony Handycam, private citizens have become citizen watchdogs against the police, the government, and in some cases, even the media themselves.

In many cases, they’ve been doing it without protection, at their own risk, and without the benefit of a publication’s legal team to back them up. They’re the people who find themselves at the center of the action and rather than run away, they pull out their cell phones, hit the button, and stand around a little longer than is safe or wise.

This means anyone can upload videos of things they think are wrong, or want to record for posterity and history.

Of course this means we also have to become critical thinkers and viewers, making sure that what we’re seeing is real, and not a hoax. That we’re re-sharing news from people we trust, and not just blindly retweeting everything with the trending hashtag of the day.

We Also Need to Trust Our Technology

But while we were watching Ferguson news on Twitter, it turns out Facebook’s algorithm didn’t even allow #Ferguson news to show up in our news feeds at all. On that Friday night, if you weren’t looking at Twitter, you didn’t even know anything was going on. (And if you rely on Twitter’s U.S. trending reports to see what’s happening, you were told that #ThatsSoRaven was infinitely more important than #Ferguson, as the tweens’ show trended that night, while the civil unrest in our own country was supposedly not even happening. The hashtag trended in individual cities like Indianapolis and Nashville, but not the country as a whole.)

Medium writer Zeynep Tufecki argues that this shows why not only is net neutrality important — what if Facebook and Twitter didn’t want us to know about Ferguson? They didn’t mess with the algorithm, but what if they had decided to play that card? — but even the technology used by both real and citizen journalists could be affected. California is considering legislation that will require “kill switches” in cell phones. While the technology is there to discourage violent cell phone theft, who’s to say an overeager militarized police department won’t force a wireless company to throw that same switch when they’re about to come down on a crowd of protestors?

Citizen journalism isn’t going away, despite the gnashing of teething and rending of garments by the professional journalists who look down on the amateurs with only slightly less scorn than a militarized police force. It’s here to stay, and as we’ve seen in Ferguson, it sometimes may be the only source of information we have for a while.

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Five Ways for Creative Writers to Make Money (And Two That Don’t Work)

I had a great discussion with a new friend, @SarahSuksiri, about creative writing, poetry — I learned a lot about poetry and poets from her — and how writers try to make money while pretending they don’t associate themselves with filthy lucre.

This attitude is especially prevalent with poets, who think they should only do poetry for their art. If this is your attitude, repeat after me:

Hello, welcome to Starbucks

For those writers who want to earn a living from your creative writing degree or MFA, here are five ways to actually make some money from writing that does not involve freelancing. Or you can at least show your parents that your 4 – 7 years of higher education were not a complete exercise in navel gazing.

1. Sell ebooks

Jim Kukral is the master of promoting self-published books. He’s made his name helping new authors and. . . let’s say, “niche” authors find an audience and sell their books. Even the unusual ones. (Books, not authors. Well, authors too.)

The numbers in self-publishing make sense. Without going too much into the entire “traditional publishing versus self-publishing debate,” let me tell you what Kukral and others say about the economics: If you sell a traditionally-published book for $20, you’ll make $1 – $1.40 per book in royalties, after you pay back your advance. If you sell a self-published e-book for $2.99, you’ll make $2. Sell it for $9.99, and you’ll make $7.

Now, you may sell more books in bookstores with a traditional publisher (plus it’s awesome to have your book on a bookstore shelf), but you have to sell 5 – 7 trad-pub books to make $7, versus selling one $10 ebook. Sell 1,000 books, and you get either $1,400 or $7,000. If all you sold is 1,000 books, you won’t get that $1,400 from your publisher; that’s all payback for your advance. But that $7,000 is yours off the bat. (Warning: this takes a lot of social media marketing and promotion.)

2. Become a speaker

Doing this taught me to be a better writer.
Professional speakers command a fee. If you’re a nonfiction B2B writer like me, you have a system or knowledge that you can parlay into a one to six hour teaching session, and people will pay for that (see #5 below). If you write about important social issues, whether fiction or nonfiction, you may be able to get a gig as a keynote speaker. Keynotes make anywhere from $500 to $3,000, and even more. (Of course, you need to almost be a professional keynote speaker and that takes a few years. You’ll know when you’re ready for that.)

Build up your stage legs by giving readings, teaching small classes, and doing small talks around town for free. Join Toastmasters if you’re not comfortable with speaking. Promote yourself with a blog and become active on social media.

3. Give readings or host organized events

Slam poets earn money through their readings (Slammings? Happenings?), because they treat their work like a musician or a theatre troupe. They sell tickets or have a cover charge, and they sell books in the back of the room. Depending on the size of your audience and your rates, you could make a couple hundred dollars in a single night. Not enough to pay the rent, but you’re certainly earning more in one night than working three shifts at High-Priced Boots And Pants in the mall.

Promote the bejeezus out of these events, and get a big crowd. If you don’t like marketing, you’d better learn to real quick. You want a big crowd that’s interested in what you have to say. Even if you want to be a purist who never accepts money for their work (do your events for free then), you still want a big crowd of people who clap for you (or snap. Do they still snap at poetry slams?), and run up to you afterward, gushing and stumbling over their words. Promote these events with social media and old school marketing techniques to draw that crowd.

4. Combine your work with another passion and travel

Writer Chris Guillebeau, who wrote The Art of Nonconformity, has the kind of job that lets him work anywhere. So he does it while he travels to different parts of the globe in an attempt to visit every single country around the world.

As a writer, you have the flexibility to work anywhere you want, and on any kind of project you want. In some cases, you can even work in strange new locales, like the African Bush, the Canadian wilderness, or Iowa. If you can leverage your writing skills into a real money-earner, like a freelance copywriter, go where the work is, or just work from your favorite coffee shop. If you can get a nonprofit to hire you for six months, rent a short-term apartment in that city, and go to work.

5. Teach classes and seminars

Writing coach Jeff Goins is making his name not only as a writer, but as a writing coach. He’s built his reputation and living by offering several online webinars and ongoing classes per year, as well as selling educational materials to budding writers. One of his multi-week classes can cost a few hundred dollars per student. Similarly, I’ve begun teaching classes for the Indiana Writers Center, and I was happily surprised when I was handed a check at the end of the first class. I had forgotten all about it.

So what if you charged $200 for a 4 week online class and got 15 students to sign up? That’s $3,000 a month. It’s not downtown-penthouse money, but for a young writer who has a roommate or spouse-with-a-job, it’s a significant contribution to the household income. And what if you could repeat that model every month, or even run it twice a month on different days, but only did it a few times a year?

Further, if you have an MFA, you’re qualified to teach writing and English at a local college or university. (Actually, if you have a master’s degree in anything, you’re qualified to teach undergraduates in that field.) It’s not great pay — I get anywhere from $700 – $1,000 a month for a single public speaking class. And you certainly don’t want to build a career on being an adjunct. But if you’re looking for beer money, or a little something to boost your income, this is a great way to use your degree and your passion.

And now for the two don’ts: I’ve seen other people try this, and it’s rough. A lot of people have started down one of these two paths only to realize the numbers don’t work, and they’re out all that time and expense.

1. Start a website or journal that relies on banner advertising

Ad sales are a hard, scary way to make money. Even big city newspapers aren’t making a ton of money from them. Advertisers only want to pay per thousand displayed ads (some even only want to pay per click). These advertisers will only pay between $10 – $20 per thousand visitors, which works out to $.01 – $.02 per view).

So if you want to earn $50 for a single article, you have to generate between 2,500 – 5,000 visitors to that one page page. But if the advertiser is paying by the click, you may get $.20 per click, but if you want $50, you need 250 clicks. And if the click-through rate on an ad is 1% (which is actually kind of high), you need 25,000 visitors to see that ad. If you could bring in 25,000 visitors a month to your website, you need to sell ebooks, not display ads.

2. Traditional publishing

(Otherwise known as “my editor is going to hate me now!”)

While everyone wants to have that big blockbuster that makes them more money than J.K. Rowling and John Grisham combined, seriously, what are the odds of that happening? I’ve written three books and ghostwritten half of another. If I tried to live on the royalties of those books, I’d have a very fancy cardboard box under a bridge.

When I saw this photo, it was one of the proudest days of my life. My mom, not so much.
Even if you’re lucky enough to get a publishing deal, you need to sell hundreds of thousands of books in order to get rich; several tens of thousand per year to earn a salary. Let’s say you get $1.20 in royalties for every published book you sell. If you want to earn $48,000 a year in royalties, you need to sell 40,000 books every single year.

Don’t get me wrong. Traditional publishing is great. I owe Que Biz-Tech and Pearson Publishing a lot. So much of what I’ve been able to do has happened because they took a chance on me. I love knowing that my books have been printed, occupy a physical space in the world, and I got a thrill knowing that No Bullshit Social Media was seen by hundreds, if not thousands, of impressionable children walking into a Barnes & Noble. I encourage many writers to try to get their books published by a real publishing house before they take up the self-publishing baton.

But — and this is the point I want to stress — traditional publishing is not how you’re going to make a long-term living. The numbers just aren’t there anymore. Not at $1.40 royalties per book. You’re going to push, promote, and shout about your book to as many people as you can, whether you self-publish, or you go the traditional route. Either method involves the same amount of work. The only difference is there’s a bigger payoff in the self-pub route than in trad-pub. (On the other hand, you’ll never see a self-published book in a Barnes & Noble.)

Having said that, having a traditionally published book is an excellent way to build your reputation, which makes numbers 2 – 5 that much easier to accomplish.

Now that I’ve crapped on your dreams or given you a great idea, what are some other ideas you have for writers who want to make money? If you’re making money from your writing, what are you doing that earns a steady (or at least significant) income? Leave a note in the comments.

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How to Spot (and Block) Twitter Follow Spammers

Twitter is becoming a cesspool of uselessness, churning with marketers who think it’s free advertising, and people who post motivational quotes that couldn’t persuade someone with OCD to wash his hands. And I won’t even mention the people who promise to get you 5,000 “followers” for $29. (They’re the “floaters.”)

Now we’re being hit with wave after wave of Follower Junkies who artificially inflate their numbers without providing anything of value.

Follower Junkies will yo-yo follow people to boost their follower count into the tens of thousands, bumping up against Twitter’s policy of only allowing users to follow 1,000 people per day, but never going over the line. So they stay under Twitter’s radar and continue to spread their infestation.

Beating the Twitter Follower Limit

When someone new joins Twitter, they’re only allowed to follow 2,000 people. This is the Twitter Follower Limit. You can’t follow more than 2,000 people until a certain number of people are following you back. (You also can’t follow more than 1,000 people in a single day). Once you reach a magical unspecified ratio, you can follow more people. (Some people speculate that the ratio is roughly 10% more than your follower count. Once you get 2,000 followers, you can follow 2,200 people. 2,200 followers, you can follow 2,420 people. This is speculation, but that’s the principle behind the magical ratio.)

So a yo-yo follower will follow 2,000 people, wait for them to follow back, unfollow them, and then follow a new batch of people. The more followers they get, the more people they can yo-yo follow, and on and on and on, until they’ve got more followers than God, but their tweets are about as complex and substantial as a high school prom.

Fewer than 800 tweets but almost 4,000 followers? I don’t think so. Also, check the followING count — if you’re not a celebrity, it shouldn’t be that unbalanced. This is someone in the midst of a yo-yo drop.

How to Spot a Twitter Follow Spammer

You can spot a yo-yo follower because they have fewer than 3,000 tweets, but 10,000 or more followers. Or they are following a mere fraction of their followers, but they’re not celebrities. Their following numbers look like the Matterhorn.

Here’s an example: Spammer #1 is following 76,800+ people, and has 88,700+ followers. Are they interesting? Most of their Twitter stream seems to be a steady drip of one-way communication, with the #leadership hashtag on Every. Single. Tweet. (No, I’m not exaggerating.)

To check the Twitter shenanigans, I used TwitterCounter.com’s graphing capability. You can examine as much as 3 months’ worth of data with a free account. This is from April 4 through June 18.

May 27, 2014 – Following 88,162 people

 

May 29, just 2 days later. Following 69,563 people. A 12,463 count difference.

This is someone who is — technically — following Twitter’s rules. The slow climb after May 29 is still within the “you can’t follow more than 1,000 people in a single day” rule, but they dumped nearly 12,500 people on May 27 and 28 so they could slime their numbers up some more.

This wouldn’t be so bad — hell, I just dropped 4,000 followers over several days by clearing out people who hadn’t tweeted in 30 days or more — except this person is on a yo-yo upswing, which is why their follower count keeps rising.

Here’s another example: Spammer #2 is following 7,986 people and has 12,800+ followers, but has only written 3,852 tweets. They’re all one liners that first-time comedians would be embarrassed to use, with absolutely no interactions or retweets. Just constant one liners. I’ve had better conversations with my television.

May 16, 2014 – Following 6,996 people.

 

May 21, 5 days later – Following 7,965 people. Almost 1,000 people in 5 days.

Again, this stayed within Twitter’s rule of “following no more than 1,000 people per day,” but you can see the effect it had on this person’s follower numbers. As they followed more people, their follower numbers rocketed too.

What about their output? How much are they tweeting? Spammer #2 is averaging 3 or 4 tweets a day, but peaked out at a big ol’ 5 for two days in the middle of May; Spammer #1 has “written” 57,700+ tweets, averaging 47 tweets per day of #AutomatedLeadershipQuote after #AutomatedLeadershipQuote.

In the end, it doesn’t matter what they’re tweeting. I won’t even speak to whether their tweets are interesting or not (They’re not. So much Not Interesting in one place. I haven’t seen this much Not Interesting since high school algebra.) What matters is that while they’re following the letter of Twitter’s rule, they’re doing everything they can to work around it and look like they’re important and/or interesting.

Except they’re not. They’re frauds. They didn’t earn those numbers, they cheated. You can’t buy value, you can’t buy your reputation. But you can apparently click your way to a false sense of accomplishment.

The Solution? Drop the Spam Hammer

I vet every single person who follows me before I follow them back. I check out their Twitter profile, and if necessary, look at their Twitter feed. If someone has a too-high-to-be-real follower count, especially if their tweets number in the very low 4 figures (or fewer), I spam-block them. If they have a high follower count, but their tweets are inane, nothing but retweets, or a one-sided conversation with no responses to anyone, I spam-block them.

I do it without hesitation, without remorse, and without pity. And I giggle with schadenfreudic delight every time I do it. I even unblocked one guy just so I could hit the Report For Spam button again.

Twitter is not going to get any better. It’s going to become the AOL of short form communication one of these days. Already, networks like App.net are coming online, ready to fill in the gap after Rome Twitter collapses. But we can extend its lifespan and its usefulness by getting rid of these Follower Junkies who are cluttering up the network for the real users who want to actually benefit from it.

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Free Download of My Chapter from Multichannel Marketing Ecosystems

About 18 months ago, I was asked by authors Markus Ståhlberg and Villa Maila to contribute a chapter to their book Multichannel Marketing Ecosystems.

The book consists of 35 separate chapters written by 35 different social media experts from around the world. Ståhlberg and Maila asked, pleaded, and cajoled all of us to turn in our chapters, which they then wrestled to the ground and turned it into a heavy book about the marketing ecosystem. It’s not just online marketing, and it’s not a lot of “you should measure Return On Engagement” or “I’m the Chief Awesome Officer!” bullshit that litters the social media marketing book world.

This is a smart book written by smart people, talking about marketing in general, as it develops and revolves around brands, whether it’s traditional media, online, mobile, and even retail point-of sale.

With dramatic changes in consumer behavior – from online shopping to the influence of social media – marketers are finding it harder than ever to coordinate, prioritize and integrate the latest interactive channels into their overall brand-building strategy. With the emergence of the truly interactive consumer, marketers need to scrap the traditional TV-centric strategies and build their own multichannel ecosystems centered around digital channels and supported by traditional media.

Multichannel Marketing Ecosystems examines a fundamental game changer for the entire marketing industry – the seismic shift from a single TV-centric path to an interactive multichannel ecosystem that puts digital technology at the core of marketing strategy. With separate chapters on the remaking of marketing, the rise of the digital brand, conversion optimization, m-commerce, searchability in a multichannel world and predictive marketing, this book shows how marketers and brand managers can react positively to changes in consumer behavior, building customer responses and loyalty via the full spectrum of digital media.

Co-authors include Felix Velarde, CEO of Underwire; Sundeep Kapur, Allied Solutions; Cam Brown, CEO of King Fish Media; and my good friend and Branding Yourself co-author, Kyle Lacy, ExactTarget.

The book finally came out this winter, and I did what every other contributor probably did — flipped to their own chapter. I read it, I skimmed through several other chapters, tried to find typos in Kyle’s chapter (sorry, force of habit), and tried to make sense of everything in the book.

Like I said, this is a smart book. It’s packed with information — not just long blog posts, but analysis, strategies, and ideas that mid- to upper-level marketers need to know to help their brands be successful in a fracturing marketing ecosystem. This is beyond “DO TWITTER!” cheerleading. It’s heady stuff, and it’s written by the leading experts in their field.

If you’re interested in a free chapter, Ståhlberg and Vaila have allowed me to make my chapter — “What Really Counts In Metrics” — available for free download. you can download it here.